Drone Records
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Format: CD
Label & Cat.Number: Siren Records SIREN 31
Release Year: 2021
Note: the 3rd album of the new ORGANUM project continues where "Stilness" ended, with a kind of broad, amorph droning noize, somehow waving on microtonal levels, taking shape as a sonic "ghost"... very strong & energetic ! 500 copies
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In the everlasting silence of the universe
Dark clouds reflect upon shimmering water
The voiceless radiance of solitude
Dissonant overtones in dark clouds
Pierce the eternal veil of night
The rivers rage ceaselessly
Swiftly, cloud-shadows and sunbeams
White flames burning through a dark sky
Wrapped in its own eternity
Wild and forsaken
No sound is tamed
Release and rebirth, revolve, subside and swell
Inescapable and incessant in motion
The path of that unfailing sound
A harmony
Ancient and solemn
The voiceless radiance of solitude

David Jackmans music, both as Organum and under his given name, is typically characterized by repetition, brevity and a deadpan aloofness. Hes made plenty of extremely short (sometimes one-sided) 7 singles, albums containing multiple slight variations on a single piece, and albums of compositional (if not sonic) minimalism. Its Jackmans typical move to provide very little information beyond a word, or sometimes an image. Lately, hes been predisposed to not even providing an image; just as few words as possible on a white background, nothing more.
Naturally, he does not seem to do interviews and has no web presence. As listeners, were left to apprehend the music as itself. No guidance into his hermetic world. I find it refreshing. Whatever your experience of an Organum album is, thats all you get. Thankfully, each emission is thought- provoking enough to get lost in and monolithic enough to encourage both passive and active engagement.
8Howard Stelzer]

"In Vital Weekly 1216, HS reviewed 'Electronics' by Organum, which was quite the change for Organums David Jackman. In the last decade or so, Jackman used quite a lot of real instruments to construct a bizarre composition that may or may not be the same. After that came 'Stillness', not reviewed on these pages, and the name was changed to Organum Electronics, which is also the banner for 'Solitude', a thirty-six-minute piece of harsh electronics. Oddly enough, the artwork didn't change and is still similar to the artwork of his 'quieter' phase and which I think is pop art without the images. I have no idea if David Jackman acquired a set of modular electronics to do this, or if this is something he always had but not used a lot. The loud character of the music brings back memories of the very first record I heard from Organum, 'In Extremis'. I always thought that was made with acoustic instruments played with mechanical objects and slowed down, and I might be wrong. It had that density of ringing sounds that I enjoyed a lot back then and still do; Organum is one of the three or four musicians of whom I own a lot of records. That sort of density I also find in 'Solitude', even when it might be all electronics. It sounds like being trapped in the machine room of a large ship. The more you concentrate, the more little nuances appear in the music, an odd sense of movement in a standstill notion. The music might be loud, but it has not the similar aggression I find in some noise records. There is, odd as it may sound, a soothing aspect to the music. I am a fanboy, I admit that, and that means Organum can't do wrong. It was a bold move to change the style of music for David Jackman, but most enjoyable!" [FdW / Vital Weekly]