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Label & Cat.Number: Die Stadt DS 109
Release Year: 2014
Note: after a series of live recording releases, the first studio album by KDJ, and first new release after 10 years => one long refined haunting drone-tracker with micro-tonal occurences, phantastic otherworldy sounds setting everything under heavy gravitation... lim. 500 BACK IN STOCK
Price (incl. 19% VAT): €14.00
More Info"The first album by Kontakt der Jünglinge since the release of their CD n (DS63) on Die Stadt back in 2003, »Makrophonie 1« is also their very first studio album. It's the result of various scores which were developed before and during miscellaneous live performances. These worked out structures were then taken to the studio, where they were concentrated and received their final finish. »Makrophonie 1« can be described as KDJ music in highly-concentrated form.
The album was recorded at Audiplex Studios, Hamburg in 2013 and produced by Okko Bekker.
Limited edition of 500 copies in Digipack cover." [label info]
"It has been quiet for some years for Kontakt der Jünglinge, the duo of Thomas Köner and Asmus Tietchens. But after a bit of music on a compilation CD in 2007 it was all silent, and their main bulk of releases was already from 2001-2003. I don't assume there has been a band fight, but as these things go: people meet up, do something and do something with much interest for a while, but then get torn apart for whatever reason, usually other work somewhere else. I am sure that's what happened here, as nor herr Tietchens, nor herr Köner are persons to put up a band fight. Two of gentlest, kindest Germans I know. And two of the best in their respective fields. Closely linked perhaps, but also a bit different. Tietchens is the man who brings out musique concrete into the field of the unacademic composers, self-trained, and explorer of the terra incognita of the studio. It can take many forms. Köner does the same but much of his work is more spaced out, more drone like; the arch
father of Isolationist music - to some. Their duo is named after a pun on two works of Karlheinz Stockhausen, and so is the title of their latest work, 'Makrophonie 1'. That may all seem rather playful, but the music isn't that playful, and actually more serious. These thirty-seven minutes are filled by the darkest of drones, but not 'long fade in, and stay there for a long time, short fade out' (the cigar shape, as some one once noted), but we are transported through various moods and textures, ranging from the very soft, and not so outspoken ones, to the more louder passages of unearthy low drone sounds (Köner) and high clicks and beeps (Tietchens). At one point, around twenty-five minutes, I had the impression that this was live recording, as the feedback beeps that sound here are of a varying length and interval. Maybe it's intentional, I am not sure - the press text says this is a studio recording. They don't seem to be men who who make 'mistakes'. The balance moves like a ticking clock between these two opposites, the dark drone rumble of Köner and the more precise tinkling sounds of Tietchens, best exampled at the very end of this release. A work of powerful beauty of a very dark nature. Soundtrack music which is no need of a movie. I think it's a great work, but I am the first to admit I'm very biased. Recently I was going through lots and lots of CDs I have, and I decided to keep all of Tietchens works, including the previous releases by Kontakt der Jünglinge, and that means something to me. Not a single release I didn't like, and I can proudly add 'Makrophone 1' to my collection. As dark as the cover it comes in, but what a beauty." [FdW / Vital Weekly]
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