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TIETCHENS, ASMUS & JON MUELLER - 8 Stücke

Format: CD
Label & Cat.Number: Auf Abwegen AATP20
Release Year: 2007
Note: second collab / ed. of 500
Price (incl. 19% VAT): €13.00


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"Second collaborative effort between german sound manipulation pioneer Asmus Tietchens and american improv-drummer Jon Mueller. The CD features 8 tracks that run up to 53 minutes. Jon Mueller on the second collaboration: “The previous collaboration between Asmus and I involved me using only sounds derived from drum heads. For Acht Stuecke, I've used only Chinese gongs and cymbals, so a completely different range of sound occurs. The performance of the percussion material was from various non-mechanical techniques (striking, swinging gongs, extended techniques, etc.) to create a palette of mostly textural sound with a large frequency range that Asmus could work with.” And indeed, work he did! The completeness that is Acht Stuecke is of breathtaking beauty and simplicity and complexity at the same time. The album is definately more homogenous and ‘together’ than the first meeting of the two musicians. It emanates a warm and deep sound evolving ou t of total soundless blankness as it seems.
Jon Mueller has been active for several years in the us improv scene playing in various ensembles and doing solo work. he runs the excellent web mag/label/mailorder croutonmusic.com. Asmus Tietchens has been producing electronic music since the 1960ies and is one of the most renowned sound artists today in Germany. In the last five
years he was awarded twice the SWR state radio prize “Karl Sczuka Preis” for radio art. He has released more than 80 records and CDs on labels all around the world." [label info]

"...There are occasions in which one doesn’t need to speak too much to establish a truth, and the truth here lies inside the repeated bends and turns of a gorgeous album, among the best of both artists’ career. The original materials furnished by the Milwaukee percussionist - sounds of Chinese gongs and cymbals - were studio-treated by the German manipulator through his usual masterful methods, this time maintaining the qualities of the harmonic resonance of the metal rather evident amidst the choked gulps, the modified waves and the fractured hiccups that we’re used to receive from the Hamburg-based sonic transformer. There’s this splendid three-way cross between the real essence of Mueller’s stricken parts and swinging gongs, the instant mutated jargon developed by Tietchens over that, the final elemental amalgam bringing the whole to sound like a hidden microcosm where a hypnotically undulating presence is blemished by sparse singular voices of unknown entities. It’s really difficult to describe the overall feel in sheer words, but those who are gifted with the ability of picking disguised frequencies from the core of the more superficial ones are in for several special moments, aware of phenomena that not everybody can actually penetrate." [Massimo Ricci / Touching Extremes]

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