Drone Records
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Format: CD
Label & Cat.Number: Die Stadt DS80
Release Year: 2004
Note: re-release of LP from 1983 w. bonus material
Price (incl. 19% VAT): €15.00

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Fifth part in the ongoing rerelease series of all early vinyl albums by Tietchens on CD. This one from 1983 marks the end of his Sky 'phase' and was the last to feature his very own version of 'Synthesizer Pop Music' for some time (he'd only return to this music with the release of his HEMATIC SUNSETS albums in the late 1990's). The CD also feat. the rare 'Rattenheu' 10inch only release plus one unreleased archive track and comes in a transparent jewel-case with full colour poster booklet feat. a reproduction of the original cover art and extra photos. Edition of 1000 copies. Total playing time: 63:01 min. [press release]

The years 1982 and 1983 proved to be a time of extreme musical schizophrenia for me. On the one hand I could not let go of the rhythmic synthie-etudes. On the other, and at the same time, I had already turned to 'Industrial Music'. The latter manifested itself in the release of four cassettes between 1981-1983.
But for one last time I was intrigued by some new gadgets. I felt that with their help I could take my rhythmic work much further: namely, one of the first digital, programmed rythmn machines (MFB521) and the Korg Polysix polyphonic synthesizer. With the help of these two machines I was able to create structures, I simply could not make with the other machines available at the time. But while working on LITIA, I reflected on the growing imbalance between my own creative input and the possibilities of the factory sounds (presets, sequencer, sound colours, ect.), with the result that my early fascination with these gradually disappeared and a more
thoughtful attitude emerged. More and more I was impressed by the machines but less and less was my own creativity involved. It was high time for me to re-consider and to come to terms with this situation with regard to my own view of human dignity.
Nevertheless, I wanted one more album to be released on Sky, and with the above instruments and an even more complex studio set-up it was recorded in no time. This had to be the finale, though. The bonus tracks 11-15 on this CD, which belong to the LITIA series, and which were released in 1996 as a 10inch entitled "Rattenheu", are to be viewed more as a kind of musical joke, one which would only be heard again at the Aroma Club in 1998. With the issuing of LITIA a four-year release period reached its end, a period which was marked by the use rhythmic and harmonic preset sounds and by flashy-coloured LP sleeves.
The above-mentioned and long-ago completed aesthetic shift to an utterly different musical attitude, coupled with a partial throw-back to musical experiences of the late 1960's, would be made public in the album releases which followed. Again, I would like to give my warm thanks to Gnter Krber (Sky Records) for his friendly co-operation. Take care, Gnter! [Asmus Tietchens, 2004]