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OLIVEROS, PAULINE - Lion's Eye for Gamelan

Format: CD Label & Cat.Number: Deep Listening Institute DL 28 Release Year: 2006 Note: two pieces from 1985 (performed by the Berkeley Gamelan Ensemble) and 1989 Price (incl. 19% VAT): €13.00 More Info "Bang a gong! Or something similar… Our Gamelan loving friends from Berkeley spend 45 minutes striking serenity into the hearts of men. This magnum opus wends its subtle way along, carrying you with it, until you find yourself pretty much back where you started - in other words, it’s great Gamelan music. The synthesizer blends in nicely, using Gamelan sounds, but sometimes at very quick tempos. Lion’s Tale sounds less traditional, but is still a nice piece. A pleasant soundtrack for meditative contemplation." [IOUN for KFJC 89.7 FM] "Lion's Eye for Gamelan was commissioned in 1985 by Barbara Benary for Gamelan Son of Lion. Lion's Eye for Synthesizer was commissioned concurrently by Neil Rolnick for iEAR Presents at Rensselaer Polytechnic Institute. Both versions were performed in 1985. The intention to combine both pieces in order to expand the tempo range of the Gamelan was first realized in May of 1989 in performances by the Berkeley Gamelan in Oakland and San Francisco, California under the direction of Daniel Schmidt. This version of Lion's Eye is recorded on this disc. The duration of "Lion's Eye" is forty-five minutes. "Lion's Tale" (1989) is composed of layered polymetrical, polyrhythmical patterns. The patterns are played at speeds ranging up to 1800 per minute. The composer designed patterns are generated by the computer program. "Lion's Tale" may be created in a new version every time the program is run. "Lion's Tale" also exists in a MIDI version for a keyboard performer. Both versions are available from Deep Listening Publications. Known internationally as a composer, accordionist and teacher, Pauline Oliveros's work in improvisation, electronic techniques, teaching methods, myth and ritual, and meditative and physical consciousness raising has changed the course of American music. She left the University of California at San Diego in 1981, at the rank of full professor, in order to support her ideas, creative projects and collaborations. All of her work emphasizes attentional strategies, musicianship and improvisational skills. Oliveros' compositions have been performed worldwide." [press release]