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LABRADFORD - Mi Media Naranja

Format: CD
Label & Cat.Number: Kranky 023
Release Year: 1997
Note: fourth album of lonely cinematic desert psychedelia
Price (incl. 19% VAT): €14.00


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Ihr viertes Album von 1997, instrumentale, einsame, melancholische Wüsten-Psychedelik.

"With their fourth album, Labradford have once again broadened and varied their sound, while maintaining their distinctive identity. Mi Media Naranja adds a string section, Fender Rhodes electric piano and slide guitar to the trio's sound bank. It is the most cinematic of Labradford's recordings to date. The music alternately stretches, ripples or lofts its way past the listener as if it was coming off a screen and not through speakers. The sounds here are reminiscent of John Barry, Bill Evans and most of all, Labradford." [label info]

“....It's downright cinematic. There's simply no doubt about it. And yet, it's infinitely more interesting than anything John Williams ever wrote. Labradford have invented the musical equivilent of the mysteriously abandoned small town. Old signs hang loosely from their creaky hinges, most of the windows have been smashed out and the wind seems to blow harder than normal. It brings you down in a comforting way, like you've just stumbled across an old picture of a four-year-old you and your since deceased mother. More accurately, Naranja's like traveling the dusty backroads of Athens, Georgia and finding Michael Stipe and Vic Chesnutt laying dead in the dirt. Initially, you're shocked and horrified. Then you realize you're gonna be on MTV News. Luckily, Labradford seem content to let you tag along on their tragic magic carpet ride through seven untitled tracks of middle- of- nowhere lonliness accentuated by the reverb of twangy guitars and pianos. Just don't talk.“[Ryan Schreiber, Pitchforkmedia]

“.....Labradford moves into the desert, with this soundtrack for driving down dirt highways and through abandoned towns with the word "gulch" in their name. "Mi..." is a beautiful record that is much more pleasant to listen to than their previous efforts. The cold, experimental touches the trio worked into their music are still there, but subdued and downplayed.” [Opuszine]