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DOCKSTADER, TOD / DAVID LEE MYERS - Pond

Format: CD Label & Cat.Number: ReR Megacorp ReRTDDM1 Release Year: 2004 Price (incl. 19% VAT): €14.00 More Info Überraschende Collaboration zweier Urgesteine der experimentellen Elektronik – der wiederentdeckte TOD DOCKSTADER und der ebenfalls nach langer Pause wieder aktive „ARCANE DEVICE“ DAVID LEE MYERS. Hier frönen sie ihrer Faszination für Frosch- & Kröten-Sounds, die elektronisch bearbeitet werden - so entspringen ihrem „Klang-Teich“ die merkwürdigsten stakkatohaften & pulsierenden organisch-elektronischen Akusmen.....sehr kurios & obskur ! "Tod Dockstader and David Lee Myers are two pioneers of electronic music, but from very different epochs. Dockstader started working with optical sound in the 1950s, later working with vast Telefunken tape recorders that became so hot they had to be left overnight to cool down. His electronic soundscapes ('Lunar Park' and 'Apocalypse' among them) are now being re-discovered and given the respect they deserve. Pond is his first new album-length piece since 1967. David Lee Myers, on the other hand, made his name in the 1980s under the name Arcane Device, and the music was derived from almost uncontrollable feedback systems. His Engines of Myth was originally released by ReR on vinyl in 1988, and was re-released on CD in 2001. A collaboration between these two legendary figures -- the painstaking, highly organised researcher Dockstader with the younger, more go-with-the-flow Myers, is an intriguing proposition. The first problem to overcome was computers; Dockstader had never used them, having perfected methods of working with optical and tape formats. It was only with much coaxing from Myers that it became possible. Dockstader recently remarked that when he began working with computers he 'realised that many of the old principles -- slowing, speeding, pitch-change, reversal -- were the same -- but with much more control and better sound. And no tape hiss. Because it was faster and I could keep my belief in what I was doing, more fun.' Fun is what they had. Most of the sounds derive from frog and toad calls, garnered by hanging around ponds with recorded equipment late into the night. The results are extraordinary -- the cries are transformed into an electronic melee that does not so much resemble a pond, as fragments of a road-movie soundtrack left over by Kraftwerk or Eno."[label description]