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ICHIYANAGI, TOSHI - Computer Space

Format: CD Label & Cat.Number: Edition Omega Point OPA-023 Release Year: 2019 Note: two early sound compositions from the archive of the legendary Japanese sound artist, published for the first time: "Computer Space" (1970), using a very early computer, creating very strange sounds, "Sound Materials for Metastasis" (1971), music for a short film, along with processed bird sounds used by the Sogetsu Foundation, and "For String # 2 + Stanzas" which dates back to 1961.. - rare Japan import Price (incl. 19% VAT): €21.50 More Info Two sound compositions discovered at Mr. Ichiyanagi’s home in 2018 to be released for the first time! One is an unknown early work created on a computer and the other is material for an experimental short film by Toshio Matsumoto. Particularly, the former piece was revolutionary. the quirky sound he made on the computer at the time was unheard of especially because a computer could only create simple sounds then. Moreover, it also includes an unknown electronic ambient piece reminiscent of a bird tweeting as well as a reissued version of an accompanying single of a mythical self-published book, which inspired Yoji Kuri’s animation work known as Tragedy on G string! Computer Space (1970) There is a piece called “Music for Living Space” (1969), which recreated human spoken words. It is an electronic music piece that Ichiyanagi produced almost solely with a computer. Computer Space is created in the same era, therefore it was impossible to create a complexed sound. However, echoes and rapid pitch changes are heard in the middle of the recording (there is also voice like sounds intermixed). Since similar phrases are repeating, it is considered that he created various short phrases to edit on an analogue tape then bind them together. Sound materials for Metastasis (1971) It is considered as sound material for a short film by an experimental filmmaker, Toshio Matsumoto. The discovered sound material is only 30 seconds long, which contains two different electronics sounds. The (b) sound repeats more often as a part of minimalistic pattern to create a work of about 10 minutes. Using a fade-in/fade-out arrangement made me think it might have some special intention? title and year unknown These works archived in Sogetsu Foundation contain electronic sounds which are considered to be created by changing tones of real bird tweets. The sound repeats itself in a straightforward manner, while changing its foam somewhat. Originally, there are many pieces that last for 1 or 2 minutes. For this CD, some of them were strung together. A piece using parts of popular music that was created for Expo’70 Takara Beautilion contains similar sounds to that. Ichiyanagi also contributed another ambient music composition played on another floor of the building, however it is not included to this CD, according to the artist. For String #2 + Stanzas (Both in 1961, Simultaneous performance) This piece is the music used in the film however it is originally a recording of a public performance at Sogetsu Art Center and edited to a few minutes shorter. The original sound material was included in an accompanying single of a book, Yabunirami-No-Concert, which Yoji Kuri self-published in 1966 before he created an animation. This book contains 10 pages of a series of ink drawings, which is completely different from Tragedy on G string. This CD has a reissued version of the original sound material. The time could be between 1961 and 1964 when Ono was in Japan. It is considered that Kenji Kobayashi was on Violin and Ichiyanagi was on Piano in an internal rendition style were together with Yoko Ono on vocal. 1_Toshi Ichiyanagi Computer Space / 1970_3\'12\" 2_Toshi Ichiyanagi material of Metastasis (a) / 1971_0\'39\" 3_Toshi Ichiyanagi material of Metastasis (b) / 1971_0\'34\" 4_Toshi Ichiyanagi title and year unknown (a) _7\'25\" 5_Toshi Ichiyanagi title and year unknown (b) _7\'18\" 6_Toshi Ichiyanagi For String #2 + Stanzas (both 1961, simultaneous performance)_15\'55\"