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DIE FORM - Ad Infinitum

Format: do-LP & BOOK
Label & Cat.Number: Mecanica MEC053
Release Year: 2021
Note: the album from 1993 (Hyperium) for the first time on vinyl, deluxe edition with bonus versions and tracks and a 16 page casebound hardcover bok feat. unpublished images and photographs, lim. 474 numbered copies. *In praise of the shadow, fascination with the machine, attraction and repulsion, litany and liturgy, funeral Eros…*
Price (incl. 19% VAT): €55.00


More Info

Die Form is the seminal post-industrial electronic act started in the late 70’s by French musician and multimedia artist Philippe Fichot. He began recording a number of experimental cassettes under different names but Die Form became the main project and with which he has developed a prolific career during more than four decades. Whilst the project was still in its first stage, the underlying concepts were already evident: a combination of esoteric electronic experiments with an underlying theme of eroticism, death and other taboo subjects, apparent in both the music and artworks.

“Ad Infinitum” was recorded with dark and stifling atmospheres almost simultaneously with the album “Confessions”. It includes cult pieces such as “Bite Of God” and “Chronovision”, which has made the success of Die Form in clubs, alongside more ambient and industrial tracks such as “In The Evening Of Life” or “Unlimited”.

“Ad Infnitum” was originally released on CD in 1993 by Hyperium Records and now is available for the first on vinyl record. This new edition includes the complete original track list plus a selection of instrumental versions and unreleased tracks from the same period. Limited edition of 474 numbered copies on double vinyl with a deluxe 16-page casebound hardcover book featuring unpublished images as well as other reworked photographs taken from “The Visionary Garden”.

"In praise of the shadow, fascination with the machine, attraction and repulsion, litany and liturgy, funeral Eros…"

“The taboo leads to transgression ... The taboo transgression spellbinds” (Georges Bataille)




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