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Format: CD Label & Cat.Number: Glacial Movements GM043 Release Year: 2021 Note: the Italian label series for the represantation of "Icy Landscapes" through sound with the second collab. release by both artists, after "Wandering Eye" (2016) => this album was created with the aim to describe how time changes, slows down and "stops" in extreme cold weather, similar to some COVID-19 experiences... - "...Gradually turning mountains to rumble and cutting out valleys where there wasn’t one before." [God is in the TV]
Price (incl. 19% VAT): €15.00 More InfoFive years have passed since Glacial Movements published the wonderful "Wandering Eye" album by the duo Aria Rostami and Daniel Blomquist, whose themes focused on a description of the best places to observe space from the Antarctic Plateau. A further step forward is represented by "Still", whose purpose is to describe how time can change its motion in case of cold weather." "Still" consists of a few recordings done within our first year of collaborating (2015-2016) - the opening track was our first studio recording, everything we had done prior to that was strictly live. Throughout this project, we've tried a lot of different approaches and made a special effort for each record and each live show to make it feel different from the last. In that first year, we primarily aimed to make songs that were built over long periods of time - usually getting noisier and/or more intense - and this was how we had envisioned "our sound" at the time. This also means that songs that were more on the traditional ambient side didn't make the cut of our first record, "Wandering Eye". When Glacial Movements approached us about a second release, we went with a different direction and the songs we chose for "Still" captured a new spirit in our work that was originally left on the cutting room floor. As time went on, we started venturing into new ideas like experimental techno, noise, and more traditional compositions while the songs on "Still" sat like a time capsule. We released more music, expanding our sound, and "Still", which was originally slated for a 2018 release, got pushed back further as conflicts on release schedules came up. We could never have predicted what the world would have looked like in 2021 when this record will finally be released. Somehow, through elements of chance, "Still" is finally being released in a world that feels like it is on pause in so many ways. Most of the songs on "Still" change over time. They do not sound the same when they end as they did when they started. This change is subtle rather than grand and over time the songs become completely new. For the song and album titles, we were thinking about time slowing or stopping in cold weather - how life is on pause and how movement is difficult. The stillness feels more like a cocoon rather than a hibernation - there is something changing over time - and although we had no idea what a global pandemic or politics of today would look like when making this work, the world today completely recontextualizes the music and the delay in the release now feels appropriate. " https://glacialmovements.bandcamp.com/album/still "When I was little I used to go on holiday to Austria with my parents. Sometimes we’d go in the winter and other times in the summer. One thing we always did was take a cable car to the top of one of the Tyrolean mountains. It was a weird feeling being carried up a mountain in a tinbox by metal cables. When we got to the top the views were incredible. Even as a child I knew that the views were impressive. One holiday in the winter we went up to a glacier. I didn’t know what it was but was excited to see one. Little did I know that the glacier was just a load of ice. At the time I was disappointed as I wanted to see something impressive. Like a stadium, church, another massive mountain on top of a massive mountain, but it was just a load of ice. As I listen to Still by Aria Rostami and Daniel Blomquist I’m reminded of this trip. The album opens with ‘-2 °C’. Airy synths swirl out of the speakers while a deep drone slowly grinds its way towards me. This opening salvo works not only as an introduction to the track but to the album itself. Everything that follows is of the small ilk. ‘Undercooled’ is a bit busier but generally it’s the same thing. Here, though, the melodies are crisper, giving the ‘Uncooled’ an edge that the opener was missing. The standout track is ‘Hoarfrost’. Here Rostami and Blomquist add some sounds of birds and running water to the mix. These elements take us out of the serene drones and plant us in the real world. The field recordings also give the song a sense of urgency that is missing from the rest of the album. Still lives up to its name. Rostami and Blomquist aren’t rushing anything here. They are taking their time and delivering some exquisite drones that do enough to keep your attention whilst keeping it, well, still. Mostly the album works. A lot of the heavy lifting is done by the huge, slab like, synths. As they move forward, one drone at a time, you do get the impression of glaciers. Gradually turning mountains to rumble and cutting out valleys where there wasn’t one before. The downside to the album is that the slightly light, faster, melodies aren’t quite as engaging as I hoped, so my attention was lost from time to time. It always came back to the music, but after a few moments it was lost again. This is an album to play while concentrating on another task. That sounds harsh, and slightly belittles the richness of the music, but there wasn’t enough variation to keep me engaged for the full 55-minutes. While listen to Still, I’m back up the mountain looking down at the valleys and gorges, the glacier violently cut through the landscape. Despite the tourists everything is quiet and still. It might snow later, but it probably won’t. Ultimately it doesn’t matter as the glacier will still be here tomorrow. As will the album. Perhaps then I’ll find its inner secrets, but if I don’t, I know it’ll be an enjoyable experience finding out." [God is in the TV] |
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