Your cart (0 item)

MORGEN WURDE - Für Immer

Format: do-CD Label & Cat.Number: Off - OCD045 Release Year: 2020 Note: "SCHWELT EWIG" - filed under: "spheric ambient Jazz" - the open project of German composer WOLFGANG RÖTTGER combines wide synth expanses and electronic processing with trumpet, sax, vibrapone, violin and piano to create yearnful and melancholic, but also dark & dramatic nightshade drone Jazz and neo-classic ambience., quite special stuff! - on the bonus CD the album got remixes by ALTONE, ROMAN RIDDER, LIUOS, CIE, and others.. some great beauty to discover here ! Price (incl. 19% VAT): €15.00 More Info "Morgen Wurde and his musical allies move on to score the unfathomable wonder of the Dasein. "Für Immer" is a further breakthrough to the core, emanating sounds which let dissolve all conceivable questions of man about life and death. Sounds that let all questions appear negligibly. The immersive finds are channelled into ambient/space/drone music hybrids with neoclassical and jazz noir elements, sometimes crossing paths with messengers of transcendental sounds like Abul Mogard, bvdub, Fennesz, Gas, Rafael Anton Irisarri or Tim Hecker. The elevating experience happens in Morgen Wurde's electroacoustic spaces, hosting singular virtuoso instrumentalists. Creating the "Morgen Wurde" form of lyricism and haunting soundscapes, this collaborative exploration takes space music to new highs. There are the stoically undulating sound masses, like the ambivalence of the awe-inspiring mysterious forces of nature, sometimes majestic, sometimes threatening. And there are the soloists, wandering through these sonic landscapes as masters of their art: Doug Perry on the vibraphone and Tetsuroh Konishi on the trumpet embody subtle sublimeness. The violinists bring in widely differing styles: David Strother skipping ardently on top of the seething sound masses, Georges-Emmanuel Schneider forming a mystic amalgam with the underlying soundscapes. Maria Estrella's transcendent vocal texture, nestling in solemn spheres, marks the epic finale. These musicians bring unique elements of life and humanity to the recordings, adding their very personal note and vision. The rich material called for addressing also the body. Artists from around the world answered this call for cosmic dance remixes: Altone (Japan) initiates the rite with his transcendently free-floating remix, incorporating sounds from various album tracks. Roman Ridder (Germany) then sparks the dance with a deep dub techno ride. Liuos (Finland) irresistibly animates the body further into a trance, before Cie (Germany) breaks loose the passionate fire of rave. Lostlojic (Ukraine) upholds the energy of peaktime techno, before Dmitriy Zakat (Russia) navigates through an absorbing bass intermezzo, followed by a sweeping post-dubstep adventure by Sébastien Job (France). Martin Schulte (Russia) pursues the explorative mission driven by minimal tech breaks. Thereupon Johnnyx Guitar (Germany) deepens the tempting occult spirit of the venture. Duckem (Greece) leaves the traveller with moody trip hop in a Blade Runner-style bar, before we come full circle with the beat version of Altone's remix, reaching out to eternity. Like all the best remixing work, these tracks are not intended as alternative versions of the originals. Rather the remixes can be considered originals of the respective artists who drew sounds and vibes from the "Für Immer" originals. This is the third album in the series of Morgen Wurde's electroacoustic sound processing-based albums, following “Brach Auf” (2016) and “Assassinous Act” (2017) which were released on Time Released Sound, Alameda. Besides, there are two albums “Letzten Endes” (2015) and “Als je zuvor” (2018) (both on Off Rec.) which were composed classically on the piano and then clothed with electronic sounds." https://morgenwurde.bandcamp.com/album/f-r-immer