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Label & Cat.Number: Transgredient Records TR-14
Release Year: 2020
Note: the first vinyl release on Transgredient is a 4 track collaboration between Ukraine's experimental guitar drone project and TROUM, working with each other's basic material on the topic of the ancient 'Nightsky-Immersion'; second pressing on black vinyl, numbered ed. of 100 copies with inlay + phantastic artwork by sukkeret.og.pepper studio - "This has got to be one of the more densely atmospheric works to come along in years"[Toneshift] LAST COPIES !!
Price (incl. 19% VAT): €20.00
More Info"CONTEMPLATOR CAELI denotes the antique notion and skill of immersing into the (night-) sky, in order to feel connected to the immeasureable dimensions of the universe and the unearthly powers. The celestial spheres and objects are interpretated as living entities, building a shelter for the earth and the humans, reflecting an eternal cosmic order and it's principles. The sky is being watched with deep humbleness, amazement and praise.
Inspired by this old notion TROUM & MONOCUBE wanted to capture it's emotional bearing, understanding the sky also as our 'psychic firmament', the universe that is linked with every single cell in our bodies.
Ukraine's transcension guitar drone project MONOCUBE and German dream atmospherics TROUM collaborated on four long tracks, working with each other's basic material, using acoustic guitars, melodica, accordeon, voice and electronic effects.
The result is this very first vinyl release on TRANSGREDIENT, the initial edition is limited and numbered to 200 copies and comes on multi-"sky"-coloured vinyl and with inlay, feat. a phantastic artwork done by sukkeret.og.pepper studio (Berlin).
A1 CIRCULARIS ET PERPETUA
A2 PRECESSIO ÆQUINOCTIORUM
B1 STELLAE ERRANTIS
"Although being familiar with both projects, the first thing that drew me to this album was the stunning gothic and celestial-tinged artwork. Upon investigation the visuals specifically tie in with the album’s theme which ‘denotes the antique notion and skill of immersing into the (night-) sky, in order to feel connected to the immeasurable dimensions of the universe and the unearthly powers. The celestial spheres and objects are interpreted as living entities, building a shelter for the earth and the humans, reflecting an eternal cosmic order and its principles. The sky is being watched with deep humbleness, amazement and praise’.
Circularis Et Perpetua opens the album, blending mournful drones and what appear to be treated choirs sitting in the middle to the back of the mix. Hitting its stride early, the tone swells in a cyclic rising and falling manner and hints at grandiose night-time vistas; this maintains consistency over the eight-minute span. In contrast to the ethereal mood that the choirs provide on the first track, a more earthbound perspective is articulated on Precessio Aequinoctiorum via the use of a lone male singing (courtesy of Monocube?), blended with widescreen enveloping drones. Stellae Errantis opens Side B, and is slightly less flowing than the preceding material as the caustic and tensile atmosphere sounds to be constructed around treated field recordings and layered foghorn drones. But the absolute highlight track is the final one, Digressio: an amazing piece of melancholy minimalism, based around reverb-drenched and catatonically plucked strings (acoustic guitar?), blended with widescreen melodious bass drones that rise and recede over an extended length.
If you enjoy the output of either or both projects, you will clearly find much to like with this release. While the first three tracks are enjoyably good, it is the fourth that is the absolute standout. Pressed in 200 copies in clear coloured vinyl, a full colour cover and insert rounds out the exquisite presentation."
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