Drone Records
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Format: CD
Label & Cat.Number: Attenuation Circuit ACU 1008
Release Year: 2018
Note: this trio with S. STADLMEIER aka EMERGE did a ghostly improvisation on a dark November night in Mnster, Germany, at Nocube: amorphous accordeon drones and tones, unfathomable reverberations of object and instrumental sounds (wood, guitar, a heater), occasional electronics, all loosely hung and cross-linked together with lots of space in this weave... PAULINE OLIVEROS meets the Otherworlds... very nice!
Price (incl. 19% VAT): €8.00

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A lone busker plays wistful folk melodies on an accordion in a dimly lit underpass late at night. Ominous clanging noises approach like a gang of thugs, while the deep drones of a freight train passing overhead engulf the whole auditory scene. Or else: Slowly pulsating melodies with a strangely (South) East European tinge ride the crests of an almost static groundswell of drones, while occasional percussive impulses accentuate the almost imperceptible microrhythms. Or else: ...

There are many ways to describe the music on this album, and it is hard not to resort to narrative when doing so. Perhaps this is because this music has a very strong sense of foreground and background. Drones and textures create a space in which the melodic and percussive elements of the music interact, almost like characters in a story. Each one of them has a specific timbral temperament, or should we say personality: the accordion, which Anja Kreysing, trained in Deep Listening in the tradition of Pauline Oliveros herself, uses for full impact on a variety of emotional scales; the heater (used as percussion instrument) and the cymbal, with their edgy, pushy, metallic overtones, which set them apart from the wry, dry, wooden percussion; to name but a few.

The great achievement of the trio who recorded this set live at Nocube in Mnster, 19 November 2017, is the way in which each of them constantly operates on at least two levels simultaneously: the foreground and the background, the textural and the rhythmic. Slow harmonic developments culminate into dramatic phases of almost noisy density and moments of silence, almost as if they were just following the flow of their breath. And several times foreground and background change their roles completely. It is the purely musical flow and interaction that makes this music so suggestive. Had they set out to tell one story, they might have ended up with contrived conceptual music. But the sheer sonic richness of this great recording is the reason why it can tell myriad stories at once.

File under: Free improvisation, drone, electroacoustic