Drone Records
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Format: CD
Label & Cat.Number: Mikroton mikroton cd 64
Release Year: 2018
Note: first time collab by the Japanese and US American artists, who worked with e-violin, guitars, toy piano, field rec. and synths to create quite unusual "micro-sound layer"- drones with lots of fast changing and sometimes quite melodic elements... "They built music rich with textures, loops, strange structures blurring the lines between foreground and background sounds thus making a complex and mysterious, generous and surprising music." ed. of 300
Price (incl. 19% VAT): €13.00

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Yui Onodera // electric violin, electric guitar, field recordings, found objects, processing
Stephen Vitiello // acoustic and electric guitar, modular synthesizer, toy piano, field recordings, processing
Kenneth Kirschner // (variant’s materials) on Quiver 1

Quiver” continues our subseries of cerebral abstract electronic minimalism after Triac’s “In A Room” and Hanno Leichtmann’s “Minimal Studies”. The word Quiver can speak to an emotional state – “a slight trembling movement or sound”. A quiver is also the word for a kind of container, used for holding arrows, bolts, or darts. They employed a vast array of sound sources for meticulous processing on their computers from electric violins, acoustic and electric guitars, modular synthesizer to toy piano and field recordings. They built music rich with textures, loops, strange structures blurring the lines between foreground and background sounds thus making a complex and mysterious, generous and surprising music. These compositions by Onodera and Vitiello are layered with possibility and will mean something different to each listener.
Yui Onodera is a musician and composer based in Tokyo, Japan. After studying music and architecture, he founded the Critical Path. In terms of environmental functions and spacial relationships of sound, he employs materials from various sources ranging from field recordings, electronics, and voices, to various musical instruments, for process-based, restrained electro-acoustic, experimental and ambient pieces.Electronic musician and sound artist Stephen Vitiello transforms incidental atmospheric noises into mesmerizing soundscapes that alter our perception of the surrounding environment. He has composed music for independent films, experimental video projects and art installations, collaborating with such artists as Nam June Paik, Tony Oursler and Dara Birnbaum. In 1999 he was awarded a studio for six months on the 91st floor of the World Trade Center’s Tower One, where he recorded the cracking noises of the building swaying under the stress of the winds after Hurricane Floyd. As an installation artist, he is particularly interested in the physical aspect of sound and its potential to define the form and atmosphere of a spatial environment. 300 copies."

"I’ve been a fan of Yui Onodera’s music for some time, but this album surprised me. Rather than his usual stately drones and glacial fluttering, Onodera’s collaboration with New York sound artist Stephen Vitiello is… a pop album? Yes, I think so. The music is tuneful and upbeat, with even the more low-key songs having a melodic element at the forefront. Some of Vitiello’s previous work has moved in this direction, but “Quiver” puts accessibility in the forefront. I enjoyed it very much! Some tracks, such as “Quiver 4” (none of the songs have real titles), feature a skeletal guitar lightly applying Vini Reilly-esque melodic lines over a bedrock of electronic skitter and sometimes a steady (though understated) anchoring pulse. “Quiver 6” is rather lovely, with something sounding like moving water burbling next to a synthetic chorus and dreamlike shoegaze guitar wash that would appeal to fans of Chris Herbert, Cheihei Hatakeyama or even recent 12k releases. After listening through a couple of times, it occurred to me that this collaboration seems as natural and complete as an album by a full-time “band” might be… so I hope these guys pursue the duo
further! I wouldn’t mind more of this to spin as the soundtrack to my pleasantly groggy weekend
mornings." (HS/Vital Weekly)