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SCHWARZ, ROBERT - Double Negative

Format: LP
Label & Cat.Number: Gruenrekorder GRUEN 176
Release Year: 2017
Note: second LP of this promising soundartist from Vienna for Gruenrekorder - again, 7 pieces are grounded with unfocused field recordings from different places, conflating with strange modular synth tones and noises, for a stunning effect, dark and captivating! "Nature and electronics merge to compositions that reveal uncanniness and strangeness in the heart of the world as well as in ourselves." lim. 300, contains postcard
Price (incl. 19% VAT): €16.00


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"Double Negative follows the path that Robert Schwarz has pursued with The Scale of Things. Field recordings render the core and compositional starting points around which modular synthesizers are built to complex structures that resemble nature’s contingency as their inner logic. Nature and electronics merge to compositions that reveal uncanniness and strangeness in the heart of the world as well as in ourselves. However, where The Scale of Things provoked existential threats and feelings of being exposed to an inhuman, though not hostile world, Double Negative tames the darkness and perilousness of its predecessor.

On Double Negative, Schwarz is more focused on details and subtle sound sculptures than on the frightening wide angle that let him explore the scale of things. Field recordings forge even more the center of gravity for the pieces that have an exhibitional feel to it. Like in his installations, Schwarz invites us to thoroughly contemplate on his sound sculptures. He shows us around offering constantly new sights and insights into his sound textures without judging the world nor pushing the listener into a state of excessive demands. Field recordings of birds, wind and the sea present nature in a familiar frame and allow for recognition on a record that, in general, is more abstract than its predecessor. Double Negative invites you to deeply and slowly explore little treasuries of sound that are profoundly abstract, yet shine and flicker like the fantastic animals and images that crawl over the pages of one of Prosperos books. (Stefan Militzer)


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"Twice before I have reviewed music by Robert Schwarz (Vital Weekly 982 and 1048) and twice I more or less wondered what it is that he does. I am pretty sure that this, the third time, doesn’t make much sense to me, or that I have some more knowledge, even when Gruenrekorder that “Field recordings render the core and compositional starting points around which modular synthesizers are built to complex structures that resemble nature’s contingency as their inner logic”, which is something that I
could probably also gather from listening to this record. The field recordings were taped in “Wonder Valley, Yangshuo, Fiskars, Palawan, Sandouping and Overton”, which probably could lead to a fun hour on Google maps to see where these are located. So there is a bunch of field recordings on one side and a stack of modular electronics on the other side and then Schwarz sets himself to work with these. Seven
compositions are to be found on ‘Double Negative’ and like before he creates some fine music with these elements. Sometimes it all blurs and one has no idea what is what here anymore. I guess one could easily call this musique concrete, but Schwarz’ pieces are shorter and more based on the idea of
telling a short story within a limited time frame. These stories aren’t necessarily very positive ones, as somehow the record sounds all a bit spooky and dark, despite some chirping bird here and there. Sometimes one has no idea what is going on, sound wise, and it seems that field recordings are pretty much obscured. It sounded like the window scraper at times, or animals and I was reminded of the music of G*Park even when Schwarz uses more electronics in his work (at least that’s what I think).
Through this is a very refined album, not necessarily ambient or noisy, but never too quiet, never too loud or alien. Spooky, sure it is that very much, but there is quite some beauty in these haunting pieces." [FdW/Vital Weekly]