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Label & Cat.Number: ROOM40 RM467
Release Year: 2015
Note: re-issue of the EP "Norberg" (CD from 2007 ) and the rare 7inch "Apondalifa" (2010, now as one long version); ...."even though the drones drape one in the velvet of the deepest ocean depths there is contradictorily a fragile beauty, airiness and lightness evident throughout." [Heathen Harvest]
Price (incl. 19% VAT): €24.00
More Info"This year Room40 celebrates 15 years of editions and events. As part of the celebrations we are re-issuing a number of editions in various formats that are out of print.
One of these editions brings together two of the pieces we’ve had the pleasure to publish by Tim Hecker. These two works were both created in conjunction with visits by Tim to Australia and were released in limited quantities.
The 7” edition of Apondalifa basically vanished upon release. It was also originally split across a 7”. On this new edition, cut by the wondrous LUPO at Calyx, the piece is available on vinyl for the first time in its extended format.
Tim remains a dear friend to us, and an inspiration! We’re glad to be revisited these astounding pieces and making them both available in this format for the first time!" [label info]
"This album collects two long out of print releases that the beloved Tim Hecker produced for Room 40 quite a while ago - Norberg was a 20 minute EP from 2007, and Apondalifa was a 7" dating to 2010. These being Tim Hecker releases, we had much to say about these gauzy, blurry, buzzy expanses of muted digital glitch, disembodied melodies, sepia toned ambience, organic and electronic woven into swirling shimmering soundscapes. So here's a synopsis of the two reviews we penned a while back about about the two recordings that constitute this, yet another exquisite Tim Hecker production!
Norberg begins with an Oval like sweep of glimmering chimes and washed out whir, but quickly develops into something much more weighty, the chimes swallowed up by a warm whirring blur, a softly churning, slowly crumbling wall of blissed out guitar buzz, the buzz very gradually dissipating, leaving just the hiss and the whir, to drift like gossamer clouds in a deep blue sky. The sounds become softer and softer, muted and murky, underwater sounding, allowed to pulse and ebb and flow and sway softly back and forth, under a delicate patina of electronic crackle, an ultra distorted guitar way down in the mix unfurling ribbons of gnarled prismatic crunch, spread out over the hushed shimmer below, like the icy crust on a dying sun. Finally the hiss takes on a life of it's own, pushing all of the other sounds under the surface, the hiss made up of all manner of skipping static and layered white noise, impossible musical in its own right, the perfect climax to a surprisingly bracing expanse of buzzing blissful ambient sound.
Apondalfia is a gloriously washed out sprawl of warm fuzz and softly swirling melodic squalls, all of the edges smoothed out, but leaving plenty of grit, the guitars way more obvious than in the past, but it's hard to tell exactly what they're doing, they seem to be unfurling strange little woozy warped melodies, that seem to loop and layer and shift constantly, ringing out and bleeding into the various sounds around them, all beneath the thick sonic swells and a glacially churning shimmery sonic gauze. So beautiful and deliriously hypnotic!" [Aquarius Rec.]
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