Drone Records
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Format: CD
Label & Cat.Number: Autarkeia acd 085
Release Year: 2012
Note: dark & threatening apocalyptic industrial tunes - newest album by this post-industrial project from Vilnius, very spooky, centered around the murder of film-maker PIER PAOLO PASOLINI in 1975
Price (incl. 19% VAT): €12.00

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"A brutal murder was committed in Ostia beach near Rome on 2 November 1975. A car ran over a man, turned around and repeated the act. Pier Paolo Pasolini was the victim. The murderer was found and confessed to murdering Pasolini. However, later on, he claimed he was forced to do it. They threatened they would kill his family otherwise. Them naturally being the cops. Since the truth emerged only several years after closing the case, the majority linked the death of the famous society figure, poet, essayist and filmmaker with his outrageous movie “Salò, or the 120 Days of Sodom”.

A friend of Pier Paolo stated that Paolo had been going to Ostia beach to meet some strangers who had stolen some rolls of “Salò”. A few bloodied fragments of the script were found in the pocket of Paolo’s jacket. More specifically, this was a leather folder containing a few bloodied pages. The murder case was investigated by a team of three detectives. And a strange thing happened then. One of the detectives stuck to a completely different version of the murder than the rest. He blurted it out to the media saying that “everything is much more complicated than someone’s trying to make it appear”. He was removed from the case by the authorities and subsequently disappeared. After a while the case was forgotten by the media.

However, fifteen years later, Sergio Citti, the aforementioned friend of Paolo, told Paolo’s biographer, a journalist, that he was the only one who could actually disclose the actual circumstances of Paolo’s death. He recalled that a stranger came to his door introducing himself as a detective on Paolo’s case. The man looked deeply stressed, handed Sergio some pages of notes pointing out that they contained information on the cause of Paolo’s violent death. Without saying a further word the man left. Later Sergio saw the man’s photo on TV news. They announced that a police officer was missing. Sergio was shocked by this and threw himself into reading the notes. These were pages torn out from the diary, indicating that the writer was the officer of the special commission investigating the circumstances of Paolo’s death. He was called to recognise the body in the site of crime. He found a leather folder in the pocket of Paolo’s jacket. Some of the pages were missing, others were sunken with blood. The words in capitals on the folder said “The Third Secret of Fatima”. In the middle of the folder there was a clear text fragment with words “Bring me some wine, La Popessa. In a second, Sir”. The following text was illegible because of the blood stain half page large. Then one could read “Pope Pius XII feels sick. He is short of breath. He attempts to sit down, lowers his feet from the bed onto the floor but lacks any strength to stand up. La Popessa blows out the candles and leaving the Pope’s bedroom closes the door behind her”. The next pages were evidently torn out. The following page contained Scene No. 57, “A horrible stench pervaded the Pope’s death venue, while his face was morbidly pallid. As a doctor, I recognised the classic aftermath of tasting the cup of the Borgia”. No more text ensued. All the following pages, except the last one, were torn out. And THE LAST one was empty. The diary-author recollected that standing in this murder site he came to realise that someone in an awful hurry was terribly reluctant to let anyone see the content of the folder.

Sergio read the entire diary of the detective. He had a clear idea what folder was meant. Once Paolo had mentioned to him that the shock caused by “Salò” was nothing in comparison to the fiery response his next film “The Third Secret of Fatima” would receive. He also hinted that the script covered not only the past, but also the future. The events shown in the film had indeed taken place in the past, and were meant to make the audience realise the horrible things awaiting them in the future. During their last meeting, Paolo hinted he was meeting someone important and, before closing the door, winked saying a strange thing – “Just remember the Satan entered Vatican in 1972”. The next day Sergio received a call from the police and leant the horrible news that Paolo had been brutally murdered. Sergio was invited to recognise the body. It was Paolo. Later on, Sergio was questioned about his last meeting with Paolo and the details he could remember.

Sergio provided Paolo’s biographer with more details of the diary of the missing detective and the information that he remembered from the TV reports. They said nothing unusual had been found at the detective’s place. All things were where they belonged. The detective’s garments were lying nicely folded in wardrobes and drawers. The money found in the place made the police think the detective could not have been gone away. The only suspicious thing was the diary put open on the desk. All pages were missing, except the last one. And that was empty. A glass of water knocked down next to the diary perhaps implied a scene of rush or drama.

Sergio then assumed that the stranger and the missing detective were one and the same person and the pages came from that same diary. The torn out pages contained the detective’s notes and assumptions, as well as other interesting and important details of the investigated case. The detective wrote that the name of the script found in the pocket of the filmmaker’s jacket - “The Third Secret of Fatima” - caught his attention. He did some investigation whether the murder was somehow connected to the script. He turned for help to the Vatican Curia. In the extensive official letter the detective asked for more information on the third secret of Fatima, for he had suspicions this could have been connected to the murder of the famous filmmaker. The official response was short. It read: “We sincerely regret the demise of the famous filmmaker. However, it is not in our competency to explicate the secrets of the Divine. This is a higher reality that is not subject to the mortals”. It was signed by Paul Marcinkus, the head of the Vatican Curia and the third most powerful person in Vatican.

Later on, the detective received an anonymous letter from Vatican. The letterhead contained Vatican water marks. It read: “I am aware of your document. If you wish to find out more, please come to the specified derelict church at the given time”. The detective went to the meeting place in the dark rural site in the midst of the vineyards. The church had no doors. There was only a stone arch that looked either neglected or under reconstruction. Upon silently approaching the pulpit covered by a thick layer of dust the detective called out. He heard a hushed invitation from the pulpit to come closer. The voice agreed to reveal all known information on the condition that he will stay unknown. The detective concurred.

Then the voice told him quite a number of interesting things about the third secret of Fatima. There exists a great power, a group of interests, aware of the ancient prophecy of Tibet predicting the recurrence of maldur atai cult. They seek to prevent the said return so that the truth is not revealed. They elaborated the plan of taking over Vatican and impeding the advent of the Messiah. This long-term strategy included such tasks as replacing the white popes with the black ones from the ranks of the Jesuit Order generals. The secret document in particular stressed that a very powerful element in the form of a child had been sent to the Earth, and would play a vital role in all spheres of influence as well as coordinate and rule all political, military and shadow forces resisting the advent of the redeeming Messiah. The agents of these spheres of influence suspect that Messiah is the maldur atai cult predicted by the legend of Nepal. It is believed that a man wearing a white long robe of the Pope was seen in the third apparition in Fatima. The children who witnessed the Marian apparition were scared to death. They recounted they had seen one more man in black, huge as a gorilla. The face of the man in a white robe was deadly pallid. He said nothing. He was foaming at the mouth. The man in black uttered the following words to the children: “I will make an entrance as a child exactly five years from now, I will break all the holy seals and make the world ready for the advent of the beast. And upon my arrival I will gain confidence of the most powerful in the world”. The children were frightened to death seeing the dreary face of the tall man. They named him a “Gorilla”. For many years afterwards the appalling man stayed in the children’s dreams and they screamed “Gorilla”, “Gorilla”, “Gorilla” in their sleep. The man in the pulpit suggested the adepts of maldur atai cult had sent a sign of warning from another dimension. The third secret of Fatima might have warned the humankind about the upcoming dreadful scenario. The man also said that the events of Vatican in the last decades implied a quite a number of parallels with what was revealed in the apparition in Fatima. The year 1972 was crucial for the Holy throne. The mysterious man did provide further explanations but suggested the detective read the press. The media was brimming with the coverage of these events. They concerned a few persons associated with the illuminati, Vatican, NATO, Zionists, cocaine and banks.

The biographer asked Sergio whether he suspected that Paolo had been murdered for he had received information from unknown sources about the global conspiracy predicted by unnatural powers and had based his film script on this information? Sergio replied that Paolo had always liked to keep to himself both his creative ideas and his lovers, who might have included the members of clergy from Vatican. However, it was obvious that these events had nothing to do with “Salò”, while – to Sergio’s regret - Paolo was not completely open. All this was somehow connected to the filmmaker’s new film titled “The Third Secret of Fatima”. It has never been made. Only after reading the fragments of the detective’s diary, Sergio drew attention to this and realised what was happening in the head of Paolo when he was leaving to meet the strangers. Furthermore, why did they try to hide so much that the Pope’s life was threatened in Fatima and that the man who disclosed the attempt was named “Gorilla”? The biographer of Paolo’s life told Sergio that he had investigated the subject of the maldur atai cult and he found it strange - or perhaps it was only a coincidence - that both the last page found in Paolo’s jacket and the last page of the diary found in detective’s house were empty. Just like the pages found in the cells of the missing maldur atai adepts in Nepal. Or at least that’s what the local legends told. Sergio replied: “It is true that the coincidence is indeed weird”.

Later the Paolo’s biography was published in small run. It contained all collected information about the death of Pier Paolo Pasolini, the filmmaker. The book titled “Borgata” did not receive a wide acclaim, although the promotion campaign and its headings loudly claimed that the book reveals the hitherto unknown circumstances of the murder of the filmmaker Pier Paolo Pasolini, that the cause of the death is not “Salò”, but “The Third Secret of Fatima”, that the unshot movie was suppressed by reality and who killed Pier Paolo Pasolini. All these revelations made way to this book.

“Borgata”, the forth full-length album by Maldur Atai, centres on the events described in this unpopular book." [label info]