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Format: CD Label & Cat.Number: Integrated Circuit Records ICR 71 Release Year: 2010 Note: finally a new album by the project of COLIN POTTER & DARREN TATE (with help of PAUL BRADLEY this time), based on the first live show from 2006 which has been later re-edited & re-processed... two long exquisite "experimental drone" tracks
Price (incl. 19% VAT): €13.00 More Info"Finally the ‘new’ album from Monos sees the light of day. Spanning a period of almost four years and involving their one and only public performance, the trio of Darren Tate, Colin Potter and Paul Bradley finally agree that everything is where it should be and the CD is released. Two long contrasting tracks; the familiar and unfamiliar, the context changed, the final result very different, yet at the same time completely natural and cohesive." [label info]www.icrdistribution.com "Over the past few years, Darren Tate has been wandering into some wildly weird electronics, broadening the scope of his aesthetic beyond the seminal recordings he made with Andrew Chalk (amongst others) as Ora, and more recently through Monos. For the most part, Monos has been a collaborative project between Tate and Nurse With Wound engineer extrordinaire Colin Potter, but at other times, we're pretty sure that Tate is the only one behind the wheel. For Above The Sky, the Monos line-up includes Tate, Potter, and fellow British dronescraper Paul Bradley; and this record is a top notch, vintage sounding Monos disc for sure. The extended pieces found on this album were culled from the one and only live Monos gig in 2006, the handful of recordings from that gig were processed, recreated, forgotten about, rediscovered, and processed again throughout various starts and stops over the next four years. The resulting album is surprisingly coherent, presenting itself as a sinewy mass of undulating drones dappled with various textures, shadowy events, field recordings, subtle instrumentation, and then some. The ghostly ambience that introduces this album is sublimely beautiful, like the druggy drones of Nurse With Wound (e.g. Soliloquy For Lilith) or the permafrost laden expanses of Thomas Koner or even a darker version of Leyland Kirby's much-lauded hauntological ambience. Distant sound elements of scraped metal echo to the foreground, as the latent sounds from some occluded ritual in some forgotten place. Shimmering acoustic clouds of resonance peel away into field recordings of numerous birds flitting about. Later on, semi-melodic phrases hover near the event horizon dominated by ominous electrical vibrations and dilated drone fields. Seriously, this is fantastic stuff!" [Aquarius Records] |
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