Your cart (0 item)

DEISON / K.K.NULL - Into

Format: CD Label & Cat.Number: Silentes Minimal Editions SME0931 Release Year: 2009 Note: last copies of their first collab.,the label called it "Penetrating Hi-Tech Music", absolutely recommended to re-discover !! - *Splinters of sonic fragments, buzzings, electronic hisses, pulsations, hypnotic loops, ambient textures, sudden rays of light* - "Always abstract, always electronic, but almost never the same thing twice. From soft passages to loud ones, from clicking, rhythmic sounds to dense fields of waving electronics." [Fdw/Vital Weekly] Price (incl. 19% VAT): €13.00 More Info Listen: https://deison.bandcamp.com/album/into "Penetrating “Hi-tech” music, always on the border between sound, silence and noise… Splinters of sonic fragments, buzzings, electronic hisses, pulsations, hypnotic loops, ambient textures, sudden rays of light… A kaleidoscope of syntethic sounds and digital glitches, in a universe dominated by binary codes, that evolves through the cold-hearted control of sophisticated algorhythmic mutations programmed by human entities that already reached a level beyond the borders of our earthly knowledge…" [label info] "Quite an extended part of the work of KK Null deals with collaborations, such as with Z'EV, Alexei Borisov, Zbigniew Karkowski, Jim O'Rourke and loads more. His primary instrument was once the drums (as with his bands Zeni Geva and Absolute Null Punkt), but in these collaborations Null deals with electronics. Here he teams with a man who met him fifteen years ago, when he was setting up concerts for Zeni Geva in Italy: Deison. He has worked with Lasse Marhaug and Sshe Retina Stimulans and ran the Loud! label. They collaborated, I guess, through mail, sending back and forth sound material. If you'd expect some heavy noise based stuff, then you are mistaken about the work of Null (and perhaps of Deison too, but I must admit I don't know his work that well). It moves these days from brutal noise attacks to very clean, mild, almost ambient like works and this work is a fine example of that. The closing piece is 'To' and quite brutal, feedback like. In the nine pieces before this we have been on a great journey of electronic music. Always abstract, always electronic, but almost never the same thing twice. From soft passages to loud ones, from clicking, rhythmic sounds to dense fields of waving electronics. Its all there. A great variety is presented here, which for once doesn't stand in the way: this remains a very coherent release. It may not appeal to the pure noise heads, but it should broaden their mind a little bit, I guess. Great one." [FdW/Vital Weekly]