CRIA CUERVOS — Ilauna
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"You know that scene in a movie where the orchestra is getting ready to play and they're sitting there warming up by scraping, plucking, tuning and generally being all discordant and noisy. Yes? Well, in the case of Cria Cuervos that scene is the starting point, the ending point and indeed the whole point although instead of a orchestra you should maybe picture the backline from Einsturzende Neubauten and the day-shift from your local ironworks. You're intrigued, I can tell. You should be, it's very good." [Wonderfulwoodenreasons]
"Cria Cuervos also just released a solo 3"CDR, so its interesting to compare it with his work with Bradley. The music here is more experimental, more loud and, dare we say it, more industrial. Cuervos scrapes the barrel of metal and picks up the sound to give it some additional treatment, by adding a bit of reverb here and there. Over the course of the piece things develop in a rather minimal manner - it seems as if sounds are stretched out and more space is added between them. Later on these empty spaces are filled with what could be field recordings. Quite interesting, since this piece moves out of the known drone field and crosses the field of noise and industrial on one hand and microsound on the other - certainly in the second part of the piece." [FdW / Vital Weekly]
"Cria Cuervos also just released a solo 3"CDR, so its interesting to compare it with his work with Bradley. The music here is more experimental, more loud and, dare we say it, more industrial. Cuervos scrapes the barrel of metal and picks up the sound to give it some additional treatment, by adding a bit of reverb here and there. Over the course of the piece things develop in a rather minimal manner - it seems as if sounds are stretched out and more space is added between them. Later on these empty spaces are filled with what could be field recordings. Quite interesting, since this piece moves out of the known drone field and crosses the field of noise and industrial on one hand and microsound on the other - certainly in the second part of the piece." [FdW / Vital Weekly]