PLETHORA — Krushed & Squashed
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4 Stücke mit „crazed out noise“ - Kollagen aus dem PSYCHOCHRIST / BROKEN PENIS ORCHESTRA – Umfeld !
“Totally fucked mental samples from another worth while Hypnagogia/PsychoChrist split release. The sweepings up off the cutting room floor of a sound effects library thrown into the air and spliced together where they landed. Four tracks: 'Dinner at Wallys' (who said folks dont take song titles seriously anymore) is a trawl through a Russian shortwave radio station via Timbuktu and Swaziland. 'A World Without String Is Chaos' emits a low end rumble as vogon's skittle around the ether. 'The Silence In My Head' starts with a scream (probably brought on by the silence in his head) before erupting into a flask of bubbles and synth like swabs of strangeness. '091101' contains sounds which are probably the work of Anomali, who is credited as making this the "Art of Satan" edit - banjo strings being wound into oblivion, flying saucer attacks...that all go to prove that this is a very worthwhile effort and worth the few paltry quids. Mid season Nurse With Wound fans from an orderly queue here.” [Idwal Fisher]
“16 minutes of strange , warped imagination. The cover art features photos of viscera, which may lead you to expect something ghastly or grim; well. it may have its fair share of unpleasant and repellent noise, but there is evidence of a surreal mind quietly at work. There is a PsychoChrist connection, and some of the pieces lurch into areas of fast-action cut-up mayhem not unlike that of the Broken Penis Orchestra. Despite it's short length, it's always a startling listen. The opening cut is the attention-getter, full of spiteful stabs of nastiness, adding up to a vicious and swinging attack on normality. 'A World Without String Is Chaos' is absurd and alarming, but also deeply humourous in its incongruence. 'The Silence In My Head' is anything but silence, on the contrary, though it has more subtleties than most harsh noise records. You kind of admire the way the music keeps changing; shockingly protean, you can't really pin it down, or up. A record of no small intelligence, even when that intelligence is laced with anger, hate and sneering sarcasm. Works from 2000-2002. Edited by aNoMaLi 2004.“ [THE SOUND PROJECTOR (UK)]
“Totally fucked mental samples from another worth while Hypnagogia/PsychoChrist split release. The sweepings up off the cutting room floor of a sound effects library thrown into the air and spliced together where they landed. Four tracks: 'Dinner at Wallys' (who said folks dont take song titles seriously anymore) is a trawl through a Russian shortwave radio station via Timbuktu and Swaziland. 'A World Without String Is Chaos' emits a low end rumble as vogon's skittle around the ether. 'The Silence In My Head' starts with a scream (probably brought on by the silence in his head) before erupting into a flask of bubbles and synth like swabs of strangeness. '091101' contains sounds which are probably the work of Anomali, who is credited as making this the "Art of Satan" edit - banjo strings being wound into oblivion, flying saucer attacks...that all go to prove that this is a very worthwhile effort and worth the few paltry quids. Mid season Nurse With Wound fans from an orderly queue here.” [Idwal Fisher]
“16 minutes of strange , warped imagination. The cover art features photos of viscera, which may lead you to expect something ghastly or grim; well. it may have its fair share of unpleasant and repellent noise, but there is evidence of a surreal mind quietly at work. There is a PsychoChrist connection, and some of the pieces lurch into areas of fast-action cut-up mayhem not unlike that of the Broken Penis Orchestra. Despite it's short length, it's always a startling listen. The opening cut is the attention-getter, full of spiteful stabs of nastiness, adding up to a vicious and swinging attack on normality. 'A World Without String Is Chaos' is absurd and alarming, but also deeply humourous in its incongruence. 'The Silence In My Head' is anything but silence, on the contrary, though it has more subtleties than most harsh noise records. You kind of admire the way the music keeps changing; shockingly protean, you can't really pin it down, or up. A record of no small intelligence, even when that intelligence is laced with anger, hate and sneering sarcasm. Works from 2000-2002. Edited by aNoMaLi 2004.“ [THE SOUND PROJECTOR (UK)]