OVRO — Gegendurchgangenzeit
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Drittes Album für OVRO mit seltsamen deutschem Titel, bei dem sie sich diesmal ganz in isolationistische, archaische dark-drone Sphären begibt: ein einziges Grummeln, Grollen und Beben, das Assoziationen an riesige Höhlen, Tunnel, Stollen und gewaltige Naturphänomene weckt (Wind & Wasser-Sounds). Hier geht es tief hinab, auch ins eigene Unbewusste, so man dies zulassen kann.... die Wiederaneignung des Musik-Erlebens als „heiliges“ Ritual und Transformations-Erfahrung!? filed under: archaic earthquake underground-ambience. TIP !
“An exercise on aural pathworking. Cinematic isolationist dark-ambient soundscapes, very evocative... you are taken through rainy seas, soaked, shipwrecked, underwater, underground... and what sights you see, what beings you meet on the way is left for your subconscious to reveal. Deep listening for small hours. Sit back, relax and let your mind go.” [label info]
“This is the third Ovro release, following 'Malice In Wonderland' (see Vital Weekly 395) and 'Live In Placard #7' (see Vital Weekly 448) and originally it wasn't intended to be released. Ovro made the music as a gift, in an edition of one copy, and gave that Niko Skorpio, aka Some Place Else's main man. He liked the music so much, that he convinced Ovro to release it on CD. It's moves sideways from the two previous albums, in that sense that this is an entire instrumental album, and nothing of her voice. Ovro plays music here that can best be qualified as dark ambient. The music was recorded live 'to an audience of none' and the seven tracks flow into each-other. It's hard to tell what it is that Ovro does, but it seems that she uses extended sampling of field recordings and that in the process of making music she treats these with all sorts of sound effects and filters. A dark, unworldly journey - maybe a space trip but than one that has an uncertain outcome. Everything is sucked into a black hole. Ambient music with a strong twist for the darker undercurrents in life. Not music that one can easily dream by, but certainly one that reveal some of your darker thoughts.” [FdW / Vital Weekly]
“An exercise on aural pathworking. Cinematic isolationist dark-ambient soundscapes, very evocative... you are taken through rainy seas, soaked, shipwrecked, underwater, underground... and what sights you see, what beings you meet on the way is left for your subconscious to reveal. Deep listening for small hours. Sit back, relax and let your mind go.” [label info]
“This is the third Ovro release, following 'Malice In Wonderland' (see Vital Weekly 395) and 'Live In Placard #7' (see Vital Weekly 448) and originally it wasn't intended to be released. Ovro made the music as a gift, in an edition of one copy, and gave that Niko Skorpio, aka Some Place Else's main man. He liked the music so much, that he convinced Ovro to release it on CD. It's moves sideways from the two previous albums, in that sense that this is an entire instrumental album, and nothing of her voice. Ovro plays music here that can best be qualified as dark ambient. The music was recorded live 'to an audience of none' and the seven tracks flow into each-other. It's hard to tell what it is that Ovro does, but it seems that she uses extended sampling of field recordings and that in the process of making music she treats these with all sorts of sound effects and filters. A dark, unworldly journey - maybe a space trip but than one that has an uncertain outcome. Everything is sucked into a black hole. Ambient music with a strong twist for the darker undercurrents in life. Not music that one can easily dream by, but certainly one that reveal some of your darker thoughts.” [FdW / Vital Weekly]