INAMI, SUNAO — An Impulse of Acuostic
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Ein für uns neuer Name aus Japan ist SUNAO INAMI, der sich dort seit Jahren in der experimentellen IDM-Szene bewegt....
AN IMPULSE OF ACOUSTIC verbindet auf 9 Stücken ungewöhnliche Rhythmen, computergenerierte Instrumentierung & prozessierte Gitarre, Bass & Vokals von Gastmusikern zu insgesamt sehr mitreissenden und einnehmenden rhythmisch-atmosphärischen-metallurgen Texturen, die manchmal sehr groovy sind, manchmal auch sehr langsam-pulsierend und durch fantastische Sound-Effektierung bestechen, mitunter wirkt das wie eine Kreuzung aus BAD SECTOR, SCORN und ALVA NOTO. Very recommended for explorers !!
“The music made by improvisation sound sketch and cut up, after that editing and constituting that it same method of his album "DELAYED", but a greatly different matter from before is the following, the multiple use of the irregular beats by the samples chopped up by filtering and Granular synthesis especially with a complicated thing characteristic this time. The sounds influence from IDM and glitch or electronica stuff of these days, and also German electronics or experimental of the 70s and the early '80s industrial music. Sunao used NI Reaktor 4, Absynth, Ableton Live4, Waldorf synthesizers mainly.” [label info]
AN IMPULSE OF ACOUSTIC verbindet auf 9 Stücken ungewöhnliche Rhythmen, computergenerierte Instrumentierung & prozessierte Gitarre, Bass & Vokals von Gastmusikern zu insgesamt sehr mitreissenden und einnehmenden rhythmisch-atmosphärischen-metallurgen Texturen, die manchmal sehr groovy sind, manchmal auch sehr langsam-pulsierend und durch fantastische Sound-Effektierung bestechen, mitunter wirkt das wie eine Kreuzung aus BAD SECTOR, SCORN und ALVA NOTO. Very recommended for explorers !!
“The music made by improvisation sound sketch and cut up, after that editing and constituting that it same method of his album "DELAYED", but a greatly different matter from before is the following, the multiple use of the irregular beats by the samples chopped up by filtering and Granular synthesis especially with a complicated thing characteristic this time. The sounds influence from IDM and glitch or electronica stuff of these days, and also German electronics or experimental of the 70s and the early '80s industrial music. Sunao used NI Reaktor 4, Absynth, Ableton Live4, Waldorf synthesizers mainly.” [label info]