CHION, MICHEL — Dix-sept minutes
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Ein neues Stück von CHION (rec.2000): Merkwürdig-unbeschreibbare konkret-Sounds mit vielen Stimmen & verhallten Gesängen und mechanisch klingenden Geräuschen, verwebt zu einer dynamischen, collagenhaften Melange wo auch sehr ruhige Parts nicht fehlen...
A new piece from CHION where strange-undescribable concrete-sounds with many voices & reverberated choirs & mechanic noises, mixed down to a highly dynamic, collagous melange which contains also very quiet parts..
“Real time is not about creating the sound in real time (on the contrary this is music for fixed sounds), but about the feeling we
reach when the inevitably stylized time that music creates meets the concrete time that's constituted of the listener's everyday
time. Creating real time is not easy, but Musique Concrète, the music of fixed sounds, where the first thing to be fixed is the
time of the sound, seems to me one a good contender to reach this goal.” [Michel Chion]
A new piece from CHION where strange-undescribable concrete-sounds with many voices & reverberated choirs & mechanic noises, mixed down to a highly dynamic, collagous melange which contains also very quiet parts..
“Real time is not about creating the sound in real time (on the contrary this is music for fixed sounds), but about the feeling we
reach when the inevitably stylized time that music creates meets the concrete time that's constituted of the listener's everyday
time. Creating real time is not easy, but Musique Concrète, the music of fixed sounds, where the first thing to be fixed is the
time of the sound, seems to me one a good contender to reach this goal.” [Michel Chion]