CHARTIER, RICHARD — Direct.Incidental.Consequential edition 2
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Digitaler Minimalismus der erstklassigen Sorte: Tiefes Brummen, pure Frequenzen, darin tauchen Sirr- und Rauschmuster auf sowie tiefe abgründige drones und bewegen sich wie tanzende Blätter im Herbstwind... irgendwo zwischen IKEDA und LOPEZ. Wiederveröffentlichung übrigens der ersten CHARTIER-CD von 1998.
“The album's 9 tracks of hums, drones and occasional blips and scrapes create the kind of fragile soundscape one might experience by sitting inside a refrigerator with the door closed. (yes, the light does go out when you close the door.) While I wouldn't categorize this disc as "ambient" it definitely fits the into the "immersive experience" genre if one exists. Through the use of (very) low frequencies and other tools from the minimalist's arsenal Chartier has created an aural experience that is almost physically draining. The packaging suggests that the CD be listened to on headphones (for the full effect I suppose). I suggest you listen to this while operating HEAVY machinery.” [Drawer B Media]
“The album's 9 tracks of hums, drones and occasional blips and scrapes create the kind of fragile soundscape one might experience by sitting inside a refrigerator with the door closed. (yes, the light does go out when you close the door.) While I wouldn't categorize this disc as "ambient" it definitely fits the into the "immersive experience" genre if one exists. Through the use of (very) low frequencies and other tools from the minimalist's arsenal Chartier has created an aural experience that is almost physically draining. The packaging suggests that the CD be listened to on headphones (for the full effect I suppose). I suggest you listen to this while operating HEAVY machinery.” [Drawer B Media]