Drone Records
Your cart (0 item)

PAN SONIC & CHARLEMAGNE PALESTINE - Mort aux Vaches

Format: do-LP
Label & Cat.Number: Matiere Memoire MMGO 001LP
Release Year: 2019
Note: this most curious "live in the studio" colloboration happened on 10. January 1999 at VPRO studios in Amsterdam, and was released in the M.A.V.- CD series in the year 2000; - 5 movements with more than 60 min. playtime, now for the first time re-issued; lim. 300 copies clear vinyl, new cover-art and re-mastering
Price (incl. 19% VAT): €34.00


More Info

"Vinyl re-issue of the work initially released on CD by Staalplaat in 2000. First time on vinyl, remastered, with new cover design (a 1974 drawing by Charlemagne Palestine).

This is the first release in the 'GodBear' series, a project consisting in the re-issue of existing works and production of unreleased material by Charlemagne. In partnership with the Charlemagne Palestine Foundation." [label info}



"Pan Sonic + Charlemagne Palestine’s 20 year old drone album finally takes a new life on LP with this first pressing via Godbear following Staalplaat’s long sold-out CD

Forming the 2nd meeting on record between Palestine, Vainio and Väisänen after their 1997 hook-up with Pita (Peter Rehberg) on ‘Three Compositions for Machines’, their follow-up is slimmed down to the legendary pianist and Finnish wave shapers for an exceedingly tense, minimal, excursion marrying glacial microtonal chords licked with underlying, rhythmic subbass disturbance and occasional, off-key, distorted moraine that buckles the microtones from below.

Both sides of the equation maintain a tense equilibrium throughout the album, which, while originally divided in five parts, played thru seamlessly, whereas this new vinyl cut dedicates nearly a side per piece. Across its taut body Palestine and Pan Sonic sustain gossamer fine chords and swollen, sometimes unruly bass, appearing to under-do each other and never making any moves, but the tension just gives at point, sinking into subbass mire and slipping trains of thought out of line. It’s perhaps not entirely typical of either of them, and achieves a modest mix of their respective sensibilities." [Boomkat]