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Label & Cat.Number: Unfathomless U27
Release Year: 2015
Note: field recordings from Australia, which was for a long time (colonised in 1788) a kind of "dark subsconscious" of Britain, the dungeon of the world, a dangerous and alien place with a strange soundscape... JAY-DEA LOPEZ tried to capture and process daily farm- and landscape-sounds into a composition that shares uneasiness and beauty at the same time... lim. 200
Price (incl. 19% VAT): €14.00
More Info"Long before the fact of Australia was ever confirmed by explorers and cartographers it had already been imagined as a grotesque space, a land peopled by monsters. The idea of its existence was disputed, was even heretical for a time, and with the advent of the transportation of convicts its darkness seemed confirmed. The Antipodes was a world of reversals, the dark subconscious of Britain. It was, for all intents and purposes, Gothic par excellence, the dungeon of the world.
Gerry Turcotte (Australian Gothic. University of Wollongong.1998).
The Australian Gothic : a creative genre emphasising the terrors of isolation in this post-colonial land. The Australian Gothic exposes a tormented communal psyche weighted by dark secrets.
Australia, a country colonised in 1788 by unwilling convicts and prison guards. For these unfortunates Australia was a nightmarish location, its foreign terrain provoked feelings of fear and alienation. Gone was the British gothic landscape of moors and heaths. In its place were dangerous animals, deserts, bush-fires, floods and droughts. The comfortability of the known European landscape was replaced by this new unstable setting.
Integral to the colonisers’ sense of dislocation and dread was the Australian soundscape. Reading journals and novels from this era it is evident that the aural dimensions of the Australian landscape were strongly perceived in gothic terms of enclosure and entrapment. The vastness of the deserts unsettled the first colonisers who remarked upon its deathlike silence, while in the forests the mass of unfamiliar sounds induced intense feelings of fear and disorientation. This sparked feelings of loathing towards the newly colonised space, including the Aboriginal people. In the Australian Gothic tradition the landscape sounded alive, it surrounded and entrapped with suffocating force.
Growing up in a region where Aboriginal artifacts from the pre-colonial era could readily be found under shallow soil the bloody layers of history have always sat uncomfortably with me. We live on stolen land, a place where immoral and bloody actions happened in the recent past. We have a sense of un-belonging to this country. It is part of the Australian Gothic experience.
With this in mind I collected field recordings in my local valley of Main Arm, a place like much of Australia, partly suburban, partly open for farming. I wanted to create a composition that featured field recordings, both modified and unmodified, of sounds from local farms. Could we imagine ourselves in the past, a time when the steady expansion of farms into traditional Aboriginal land was a primary source of frontier conflict?
Listening to the composition I hope a sense of unease and dread is provoked through its combination of sounds. Yet somewhere underneath its layers there is the suggestion of beauty, of what could have been. Listen and be transported into the fabric of Australia’s Gothic experience. (Jay-Dea Lopez, May 2015)" [website info]
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