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Label & Cat.Number: Zhelezobeton ZHB-XXXIV
Release Year: 2012
Note: the 20th anniversary release (!) by the Canadian 'true underground' project & Drone Rec. artist (DR-95), who established a very own style over the years => carefully constructed drone-mantras often build around circling loops or repetitive elements (vinyl grooves, etc.) with lots of details & microsounds that make every of the 9 tracks a different experience... maybe his most worked out album so far! Lim. 300, highly recommended !
Price (incl. 19% VAT): €12.00
More Info" 'Drop-out Center' is the anniversary album of The Infant Cycle project celebrating 20 years of the personal creative journey of the Canadian musician Jim DeJong which began in November 1992 after leaving the band Mind Skelp-cher. During this time Jim has recorded and released a massive amount of material both on his own label The Ceiling and on other respectable underground labels such as EE Tapes, Drone Records, Afe Records, etc. and this is his second full-length album on CD after "The Sand Rays" (Diophantine Discs, 2009).
The album includes nine abstract compositions recorded with Jim's trademark approach. Using such sound sources as shortwave radio, vinyl surface, videotape, bird cage and also more "normal" instruments (bass guitar, electric mandolin, Korg Poly-800 synthesizer) he creates slowly drifting multilayered textures with sometimes unexpected stops and narration twists. Sharp crispy foreground sound is set off by gentle background waves of resonating feedbacks forming intelligent electroacoustic glitch / drone with scratchy tangibility, meditativeness and even a sort of romanticism. This is music that evokes imagination and easily paints images in the listener's mind... 'Turn on!' " [label info]
"Jim DeJong from Canada celebrates twenty years of activities as The Infant Cycle, during which he released a whole bunch of CDRs, net releases, a bit of vinyl and one 'real' CD on Diohantine Discs (see Vital Weekly 695), and now his second on Russia's Zhelezobeton, a home which sheltered also some previous releases by DeJong. All the pieces here are from April 2011 and further explore the sound world we know from DeJong over the past years. The cover explains the nature of sound sources, which makes a great read. On one side we have 'vinyl playout groove', 'video record', bird cage and shortwave, while on the other hand we have an electric guitar, electric mandolin, bass, poly 800 but also field recordings. Plenty to choose from, and he does put his options to good use. The varied options for sound creation lead to a varied sound, but with one constant factor: atmospherics play an important role in all of these pieces. He layers a whole bunch of sounds together and then carefully mixes these. But it not necessarily leads to mere drone music. In 'Shiny Venus Part 2' for instance he loops the strumming of a bass-guitar a few times and then other sounds (mandolin, bird cage, field recordings) drop in and out of the mix. When he uses the 'playout' grooves (which are those grooves at the end of a piece of vinyl), it becomes more rhythmical obviously but spiced up with electronics and sometimes remain short, these pieces act more like interludes, except for 'Pipe', which is considerable longer. These moody tunes are indeed much more than just drone pieces. It's the sheer variation, the exploration of sounds to create these atmospheric tunes that make this perhaps the most mature record I heard from The Infant Cycle so far. Excellent stuff indeed." [FdW/Vital Weekly]
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