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Label & Cat.Number: Important Records IMPREC 328CD
Release Year: 2011
Note: two new pieces using electromagnetic field recordings made of international airports & inside airplanes, using her selfbuild wireless headphones...a unique soundworld-creation by the legendary German sound-artist
Price (incl. 19% VAT): €15.00
More Info"Two brand new pieces from one of the most exciting, active & relevant members of the first generation sound artists. Magnetic Flights is a perfect follow up to Five Electrical Walks (IMPREC167) and it is being released at the same time as a collection of two of Kubisch's unreleased archival pieces, also on Important.
Magnetic Flights is entirely made of electromagnetic field recordings of international airports and inside airplanes. The recordings of this piece were made by Christina Kubisch on her travels in 2007 from and to the airports of Bukarest, Manchester, Chicago, Seoul, Munich, Amsterdam,
Zurich, Frankfort, Paris, Lisbon, Berlin, Pisa, Milan and London.
The sounds were not altered electronically nor changed in any other way. The only tool ,which
was used for a part of it, was a filtering program (DINR)
All recordings were made with the help of special sensitive wireless headphones, by which the aboveground and underground electromagnetic fields are detected, amplified and made audible. The headphones are custom made and have been develeoped by myself and constructed by the engineer Manfred Fox, Berlin. The sounds are much more musical than one could expect. There are complex layers of high and low frequencies, loops of rhythmic sequences, groups of tiny signals, long drones and many things which change constantly and
are hard to describe.
Magnetic Flights consists of three parts with a short special sound at the beginning and another one at the end. The piece starts with an electromagnetic sound recorded just before departure and continues with the material of flight radiations recorded inside different airplanes. These electromagnetic fields slightly change pitch during departure and arrival, but remain quite constant during the flight itself. The relatively high and compact sounds gradually build up a dense layer of vibrations with continuous minimal variations.
In the second part some of the previous flight radiations gradually become filtered. The single signals mingle into a mix of small, short, nervous and very rhythmic signals. Their origin might be radio waves, communication signals with the tower , internet and atmospheric disturbances., but this is only a guess. The third part, the situation of arrival or transition, is a mix of typical electromagnetic sounds in the waiting areas of airports such as the deep vibrations of the screens of monitors which slowly fade in and out.
The piece ends with the electrical flickering of an electromagnetic field of unknown origin.
Christina Kubisch belongs to the first generation of sound artists. Trained as a composer, she studied painting, music (flute and composition) and electronics in Hamburg, Graz, Zürich and Milano, where she graduated. Her work can be described as the “synthesis of arts” - the discovery of acoustic space and the dimension of time in the visual arts on the one hand, and a redefinition of relationships between material and form on the other. Kubisch is best known for artistically and innovatively using techniques such as magnetic induction and ultraviolet light to create and realise her work.Since the 1970’s Kubisch has been experimenting with electromagnetic induction and was one of the first to use this method for creating sound installations. Some of her most well know works include the Electrical Walks series, where audience wear magnetic headphones, specially designed by Kubisch, with built-in coils that respond to electrical fields in the environment. Tapping into the electrical fields that result from light systems, anti-theft security devices, surveillance cameras, cell phones, computers, antennae, automated teller machines and other electric devices, she uses these visible sources to create unique and new sensory environmental experiences.
In the mid-1980s, Kubisch began to incorporate light as a compositional tool in many works, for example in the installation Skylines at the documenta 8, Kassel; the underground installation Klang Fluß Licht Quelle on Potsdamer Platz in Berlin and more recently Licht Himmel a permanent light sound installation at Gasometer Oberhausen, Germany. Since 2003 Kubisch has begun to work again as a performer and collaborates with various musicians and dancers, one of whom is Lotta Melin, with whom she will be co-facilitating the Lisbon workshop. An internationally recognised artist, Kubisch has shown work at major international exhibitions and festivals (Venice Benniale, documenta 8, Kassel, Ars Electronica, Linz, Sydney Benniale, Sonar, Barcelona and Sonic Boom, London) performing around the world she has received numerous grants and awards and her music has been realised on various labels such as Cramps Records and Edition RZ. Kubisch has been visiting professor in Maastricht, Paris and Berlin and since 1994, is currently the professor for sound art at the Academy of Fine Arts, Saarbrücken, Germany." [label info]
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