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Label & Cat.Number: 23five Incorporated 23five 015
Release Year: 2009
Note: "a subtle and hypnotic elegy for rattling metals, timbral vibration, gossamer static, hissing field recordings, and colored noises"
Price (incl. 19% VAT): €13.00
More Info"Vanishing Point is a 47 minute composition, which Kahn has dedicated to his daughter who died shortly before Kahn began working on this piece in 2007. For all of the phenomenological studies and stoic mesmerism attributed to much of his catalogue, Vanishing Point is a subtle and hypnotic elegy for rattling metals, timbral vibration, gossamer static, hissing field recordings, and those aforementioned colored noises. Soon into the piece, Kahn introduces a flickered ghost of melody whose luminous tones manifest ever so slightly against his contrails of noise. The upper register hiss and statics of these layered noises slowly drop in pitch and frequency over the duration of the piece, revealing subharmonic rumblings and an oceanic current that tugs at the agitated textures of Kahn’s surface noises. This glacial, minimalist shift renders Vanishing Point elegant and meditative." [label info]
"Although we never use the classical music division between programmatic and absolute music, its good to keep it in mind. Most music in Vital Weekly is absolute, that is music without a theme, dedication but just what it is. Its music without a programm and programmatic music of course has a programm. Music by Jason Kahn is usually absolute, but 'Vanishing Point' is about the death of his daughter in 2007. She vanished at one point out of the lives of her parents, but Kahn also extents the title to the music: its about the vanishing of boundaries between electronic and acoustic sound. Kahn plays cymbals and analogue synthesizer here, and its a top Kahn solo work. The cymbals mingle in a great way with the hissy, white noise textures of the synthesizer. Slowly, peaceful, minimal that builds rather quickly, in the first one-third part of the work and then slowly over the course of the rest slowly fades out, always with small changes in white static noise, small crackles and such like, make this an absolute (forgive the pun) great work." [FdW / Vital Weekly]
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