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Label & Cat.Number: Diophantine Discs n=20
Release Year: 2009
Note: "The Sand Rays is to be played from the outside to the center, from whichever edge you choose." after many year the very first "farbric pressed" CD album by this ever creative Canadian project !! lim. 500
Price (incl. 19% VAT): €12.00
More Info"Diophantine Discs is pleased to announce the release of a new CD...
The Infant Cycle - The Sand Rays. We're happy to introduce the new full-length record from The Infant Cycle. The Sand Rays is to be played from the outside to the center, from whichever edge you choose. The Sand Rays is pinball rhythm reverberations from sliced vinyl record playout grooves, gravelly surface vibrations. The Sand Rays is exploiting broken cords, near-empty batteries, half-broken equipment. We loved it and think you will too. Just be prepared to be a bit more confused when it is all over, but don't worry: you'll be too busy wiping that silly grin off your face because you had such a fun time. The Infant Cycle, active since 1992, is the brainchild of Jim DeJong. He has released material on such labels as Drone, EE Tapes, Hands, Moloko+, Afe, Zhelezobeton, Blade, Abgurd, and his own The Ceiling. Additionally he is a former member of Mind Skelp-cher and (as The Infant Cycle) has collaborated with numerous artists including Aidan Baker, Orphx, and Dronaement.
Housed in a custom printed color wallet. Edition of 500 copies." [label info]
"This label has released both on CD and vinyl. Perhaps its therefore a bit of an odd choice to release the new Infant Cycle on CD. Not because of the nature of the music, but due to the material which was used to create this music: like before Jim DeJong, the man behind The Infant Cycle, uses vinyl to create his music. Ah. You think vinyl and you think Yoshihide, Marclay or Spooky? Wrong. The Infant Cycle has nothing to do with turntablism like that. More along the lines of Vertonen, The Infant Cycle uses run out grooves which are taped and then fed through a line of analogue sound effects or perhaps synthesizers and then further treated, enhanced and altered on the computer. Actually I made that last bit up, as I think there are no computers used by The Infant Cycle. Its more likely that everything exists in the world of analogue sounds, with cheap low resolution sampling keyboards, four track recording machines and more analogue sound effects. The music is raw and densely layered with lots of icing on the cake, but this is not a work of endless spinning noise loops. Jim DeJong knows how to create music that is both noise based and yet still something to hear. Although throughout quite present, he is not shy to take matters into a more quieter area, and presents us a highly listenable release of music that is, for me at least, the logical step in what some call industrial music. Powerful, intense, rich of ideas and excellently executed." [FdW / Vital Weekly]
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