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Label & Cat.Number: Streamline 1025
Release Year: 2008
Note: re-issue of lim. CD, recordings 1996-2003 by JEREMY PISANI
Price (incl. 19% VAT): €15.50
More Info"Jeremy Pisani recorded these 11 tracks between 1996 and 2003. As a resident of western Massachusetts, he shared stages with acts like Sunburned Hand of Man (=vaguely focused free folk), P.G.Six (acid folk, reviewed on next page), MV & EE Medicine Show (=avant music), Flaherty & Corsano duo (=avant music), Dredd Foole (=guitarist / s-sw, -havn’t hear him yet-) and Joshua (psych-folk) has maintained a curiously low profile.
The combinations of fingerpicking guitar meanderings with additional textures and some murmering voice (like on “First”) fits well with music like early Tower Recordings, Six Organs Of Admittance, Currituck Co., etc. Jeremy described his music well as “A soundtrack for dreams, chemical endeavours, human afflictions and distant memories”.
Acoustic guitar is the main instrument, often as acoustic guitar meanderings, with textures and fingerpicking improvisations, combined with some additional instruments like amplified guitar and banjo. On several tracks the guitar is combined with mellotron : on “Routine”, “Cistern”, “Wingshot”, and on the slightly loaded “Flight”. There are also touches of collages with other sounds (like with a distant phonograph on “Agrippa”). The production and mixing is well done and in a combination of songs the concept has been made optimal. I heard for instance an original use of changing the environmental echoes or tensions in the recordings on “Stormwatch”. “Pallid” has also a strangely mixed sound, which has some surreal effect, probably benifits from a less perfect recording. And “Flight” which has a somewhat dense tension is mixed as outro into the quieter acoustic fingerpicking solo. In between tracks with more tension are various very moody instrumental tracks like “Routine”, which has also flute and mellotron. A strange track is “Green Hill Beach” which starts with waves, then has guitar improvisations (amplified and acoustic), some voice whispers, and then evolves to more and more electro-acoustic and electric guitars echoes, to a point of saturation with effects, then calms down as if filtered again to amplified guitar meanderings only. In general I can say that those people who liked the experimental approaches from Six Organs of Admittance should check this artist too. But also fans of Joshua / P.G.Six might notice here a wonderful undiscovered talent.
The last hidden 12th track is a beautiful solo fingerpicking instrumental closer in Middle Eastern mode. A release which definitely deserves to be heard with an official publication." [Psychedelic Folk]
"Red Favorite, a cycle of compositions for guitars, electronics and voices created by Jeremy Pisani was first released as a limited edition CD on Spirit of Orr and is now offered, as it was originally conceived to appear, on an LP. He moved closer and looked through the peephole. And he saw: the world stretched out before him, a quiet and gentle space with a broad expanse of grass that practically glistened in its greenness. A sparkling brook ran through the meadow in the middle distance, and now he saw that the grass was dotted with the pale blue and soft yellow of many blooming flowers, which, half hidden in the grass, stared out at him like so many frightened eyes. On a distant hilltop stood a grove of small pink trees, covered and obscured by the astonishing pinkness of their blossoms. The world had a sense of freshness, as if it might only be minutes old -- washed clean by a careful springtime rain, dried and scrubbed by a solicitous breeze, burnished to its brightness by the rays of a gentle sun. It was an uncomplicated place, a very simple place. But what it had was quite enough; it had all it needed." [label notes]
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