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GIFFONI, CARLOS - Eternal Noise

Format: CD
Label & Cat.Number: Bottrop-Boy B-BOY 032
Release Year: 2008
Price (incl. 19% VAT): €12.50


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Vier Stcke mit hyper-minimalen Analog-Drones, zwischen rauh-knarzigen Texturen und sanften Wellen a la ELEH.

"Carlos Giffoni knows no mercy. Of all the noise terrorists on the loose today, Giffoni causes the most upheaval. We know he specialises in brutal and invincible noise collages, but there is so much more to it than that. There is always a glimmer of hope that shines through the dense clouds of noise. His noise lives, broods and swings. His latest album for Bottrop-Boy is a true revelation in this respect, not just for the listener, but also for the artist himself. After all, the Venezuelan artist, who is based in New York, has conceded that this is a new style for him. With Eternal Noise Carlos Giffoni enters the holiest of holies, his noise nirvana. Even though Giffonis earlier works already sounded impressively organic, with Eternal Noise he is heading for new heights. His customary thick layers of noise sound more subtle than ever before. The four-part suite maintains physical impact, but all faces are turned to heaven, towards eternity. Rather than a noise exercise that sounds like a wrestling match in the dirt, this recording represents ascension towards the sun and open heavens. At times you will find yourself almost drowning in the feedback splashing against you, at other times you will find yourself breathlessly captivated by the peregrinations, whirls and swells of sinus tones. Giffoni is genuinely inspired by the avant-garde music of the 20th century and the results are miraculous.
How Giffoni creates his compositions is of no importance. This is all about their effect on your mood, the spectacle of your ravished soul. You find yourself asking how it is possible that such loud and intense music can be so tranquil and meditative at the same time.
Eternal Noise reconfirms Giffonis status as the uncrowned king of contemporary noise. Bottrop-Boy is proud to release this key work in Giffonis oeuvre." [label info]

".... The eternal is the easier word to parse. Giffoni here deals exclusively with shape-shifting drones, mostly around the lower partials of the overtone series. Each of the four tracks doesnt evolve so much as amorphously change emphasis at a geologic or tectonic pace, almost a history of the Earth heard from the inside or the sound of individual molecules vibrating, a kind of nano-counterpoint. Even where there is a pulse within the drone, it serves not as a driving teleological force but rather as a mere marker of the passing time, alluding to the stasis of the most ambient of krautrock tracks. On top of that, Giffoni seems to be evoking a kind of throat singing where the vocal chords have been replaced by charged wires that crackle, buzz, and distort as they vibrate. Each overtone has its own individual color of noise, so the composite is like the gradual color shifts of oil on water or of a dissolving Gobstopper.
Were those flavors of noise not so harsh around the edges, this album could almost be meditative. It is fitting that the liner notes are mostly pictures of Japanese temples, since their serenity is clearly behind almost every sound here, even the harsh ones. And when each track cuts off suddenly, it feels as if you're being unwillingly wrested back into reality." [Dan Rucchia / Dusted Mag]



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