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WRIGHT, PETER - Yellow Horizon

Format: CD
Label & Cat.Number: Pseudo Arcana PACD066
Release Year: 2005
Note: digipack / NZ import
Price (incl. 19% VAT): €14.00


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Der grossartige Neuseeländer PETER WRIGHT (auch aktiv als POLIO) liefert seit Jahren Gitarren-drone durchtränkte Traumlandschaften ab, die sich dunkel aber unpathetisch in den Äther schwingen. Seine tänzelnden Gitarren-Ozeane sind von besonderer untergründiger emotionaler Spannung und Melancholie beseelt, und wirken doch auch entspannend....keine Oberflächenmusik, sondern der „wahre“ Kern des Selbst scheint hier aufzuflackern..... Demnächst auch eine 7“ auf Drone Records !! NZ-Import.

“New Zealand guitarist and sound-artist Peter Wrights back catalogue stretches to something like 30 releases over the last dozen years. 'Yellow Horizons' is the most recent of these and follows on from 2004's 'Distant Bombs' (Last Visible Dog), and 'Desolation Beauty Violence' (Digitalis). This CD finds him relocated to dirty old London town from where he has written a series of love-drones to the wild South Island of his homeland. Described by David Keenan (of The Wire, Volcanic Tongue) as a "consistently impressive thinker", Wrights guitar craft opens vistas that are as contemplative as they are emotionally engaging. Periods of preperatory silence awaken into long slow shifting drones; layered 'folk' patterns build to an almost psychotropic intensity before being subsumed once more within the drone... These scenes are as varied as the South Island itself. There are glaciers as well as sunburnt plains. Writing about the recording of Yellow Horizons, Peter had this to say: "The nature of my reduced travelling bag of equipment has meant a more concise distillation of sounds than before with the 12 string guitar now dominating. To make things even more cohesive I tuned the guitar to an open C chord and every track on this disc uses this tuning, creating an almost seamless continuity, and an overall foundation". [press release]

“Another fucking stunner from this re-located New Zealander, Desolation Beauty Violence is mostly based around various manipulations of Danelectro 12-string guitar using minimal effects and field recordings but for the most part the source feels supremely dislocated. This is easily some of the most evocative proto-drone work to reach these ears in a while, with beautiful almost folk melodies that flutter on the edge of audibility cut up with a thick soup of early-evening smog and long forgotten geographies. Somewhere between early Flying Saucer Attack, Mirror and William Basinski. Highly recommended.“ [David Keenan/ Volcanic Tongue]

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