STARUHA MHA — Fires
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“Primitiver” ambient & ritual post-industrial aus Russland, sehr organisch, “natürlich” klingend nach handgespielter Perkussion, Synths, Gitarren, Stimme, Endlos-Loops; low-fi und dunkel und trotzdem betörend schön... zweite CD nach der RUSALI auf Tantric. (traurige Note: der Mann hinter STARUHA MHA begang im Sept. 2003 Selbstmord, es wird also keine weiteren Veröffentlichungen geben).
“This mysterious and short-living russian project has always been a kind of unique folklore/musical mythology projection. Its conception seems to be far from modern world in terms of both aesthetics and social issues, taking us back to the roots, where forest is like fairyland, embodying the dream of every hermit creature. All composition are undoubtly anxious, uneasy by the nature; it will surely destroy your afternoon meditation and face you under the hostile, wild and indifferent atmosphere which nevertheless is not going against ambient harmony. Fantastic real music, which is intended inn absence of words...
Deep solitude softly transformed into selflessness - only riding oneself of rational thought it was possible to achieve such alienation attitude. This is beautiful and very peculiar work, and there is no real comparison, neither surmising instruments nor similar projects. Sometimes I catch myself at thinking this music was recorded not at studio but in real forest, by the supersensitive facility which can feel the aura of the environment” [I.E.M magazine]
“This mysterious and short-living russian project has always been a kind of unique folklore/musical mythology projection. Its conception seems to be far from modern world in terms of both aesthetics and social issues, taking us back to the roots, where forest is like fairyland, embodying the dream of every hermit creature. All composition are undoubtly anxious, uneasy by the nature; it will surely destroy your afternoon meditation and face you under the hostile, wild and indifferent atmosphere which nevertheless is not going against ambient harmony. Fantastic real music, which is intended inn absence of words...
Deep solitude softly transformed into selflessness - only riding oneself of rational thought it was possible to achieve such alienation attitude. This is beautiful and very peculiar work, and there is no real comparison, neither surmising instruments nor similar projects. Sometimes I catch myself at thinking this music was recorded not at studio but in real forest, by the supersensitive facility which can feel the aura of the environment” [I.E.M magazine]