Drone Records
Your cart (0 item)

HABEEB - Il cancello della morte

Format: CD-R
Label & Cat.Number: Somnabulant Records SOM003
Release Year: 2004
Note: lim. 200 DVD-slipcase
Price (incl. 19% VAT): €10.00


More Info

Neues dark ambient noise-Projekt auf SOMNABULANT, einer der zur Zeit besten Adressen fr elektronischen Abgrunds-Industrial. Meist wuchtige analoge Flchen & amorphe Soundeffekte.....dann wieder schwelend & paralisierend, monumentale Rausch- & Drhnflchen....
lim. 200 und beim Label schon weg !
Habeeb seems such an odd sounding name for this sinister dark ambient project from L. Kerr of Steel Hook Prostheses. This massive disc is definitely stronger and more focused than what little I've heard from the project in the past, building often lengthy tracks around smoothly flowing low-end hums and drones with subtle melodic undercurrents seeping in at times. "Creeping Death" gets a bit louder with biting high-end swells that peak out to faint distortion over rumbling bass and slightly more prominent "notes" in the middleground, whereas a few other tracks are much quieter and more subdued. "Rigor Mortis" is very delicately rhythmic with its repetitive low-end loop throbbing away, followed by "Tapping the Spine with Razorwire", which adds in very lightweight wisps of distortion against the brooding ambience of the core soundscape certainly a bit more ominous. "Descension Into the Blackness" is a monolithic 19 minutes (nearly half of the disc's the entire running time), building up slowly with hugely resonant bass and distant percussive sounds reverberating in the background getting slightly thicker/louder, but maintaining a very stripped down aesthetic that never sways too far from the course. Closer "Keepers of the Death Gate" is the only track I dislike, and I find it to be terribly distracting in contrast to the other tracks, opening with a sample of some sort of country-ish music with pitch-shifted speaking before giving way to a barely distorted loop with a few harsher spurts of thick distorted noise layering in to add to the industrial percussiveness. Even without the strange intro it would've been uncharacteristic of the release as a whole, but that first segment of the track really kills it for me. The CD-R comes in a slim DVD case with minimal artwork that's basically black and white and depicts some illegible text and a woodcut image of demons shoveling people into the mouth of hell. It's a simple presentation but as is usually the case with work from this label it looks quite clean and tasteful. A solid release pound for pound. I'm still a bit confused as to what that last track is all about, but the preceding 55 minutes is a consistent slab of damn promising dark ambient noise. [Aversionline.com]