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Label & Cat.Number: Sonoris LP02
Release Year: 2016
Note: finally out, these six mixes of WOLF EYES source material by PBK, done in 2004-2006, when WOLF EYES was active with the original line up (NATE YOUNG, JOHN OLSON and AARON DILLOWAY); all tracks were done without using a computer in a "live in a studio" situation, recorded directly to a digital recorder: rough & gritty noise & ambient-scapes revealing a different side of the WOLF EYES sound..
Price (incl. 19% VAT): €15.00
More Info" 'Rabid' consists of six tracks mixed by Phillip B. Klingler, aka PBK, between 2004-06 using Wolf Eyes source material, this is the Wolf Eyes lineup of 2000-05: Nate Young, John Olson and Aaron Dilloway.
Klingler: 'I was given the audio sources (via cdr) by John Olson at the Ear Candy Festival in Dearborn, Michigan, in 2004. None of the compositions on the album were completed using a computer, they were all recorded live in my home studio or at gigs and radio shows directly to digital.'
Three of the pieces on the LP were previously released in Russia on the CD, 'Under My Breath', in 2009. Also in 2009, the American Tapes label run by John Olson released a cdr of the PBK & Wolf Eyes collaborative tracks as part of the ongoing 'Live Frying' series. Later, 'Rabid' was available for a brief time as a net release. One review from the time stated: 'Not a single track passes by without conveying grisly and creepy sensations of imminent death or disaster.'
Mastered for vinyl by Giuseppe Ielasi and with the beautiful cover illustration created by Pole Ka.
American composer, Phillip B. Klingler, better known as PBK, has been active in the experimental music underground since 1986. His compositions are created using extreme turntable manipulation, sampling, analog and digital synthesis. Improvising spontaneously and with little preconception, PBK creates pulsing, dense soundscapes of unknown sonic origin. [wikipedia]
Wolf Eyes is a post-industrial/noise band from Detroit, Michigan. They are widely considered the kings of US noise.
'Their development since the earliest rumblings in 1997 has yielded some of the most staggering and genre-defining sounds of noise and sound art's dense, largely obscured history.' (Allmusic)" [label info]
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