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CARTER TUTTI VOID - F(X)

Format: LP Label & Cat.Number: Industrial Records IRCTVLP01 Release Year: 2015 Note: second studio album of the project formed by industrial legends CHRIS CARTER & COSEY FANNY TUTTI, plus NIK COLK VOID (FACTORY FLOOR); phantastically pulsing electronics & technoid industrialscapes ! vinyl version finally in stock !! Price (incl. 19% VAT): €25.00 Warning: Currently we do not have this album in stock! More Info "Containing all new studio recordings Chris Carter, Cosey Fanni Tutti (Chris & Cosey / Throbbing Gristle) and Nik Colk Void (Factory Floor). Expanding and exploring onward from their critically ac-claimed 2012 debut album "Transverse". Featuring their distinctive metallic guitar sound, distorted vocals, resounding bass lines and electro industrial rhythms this music is not for the fainthearted. The CD edition features six tracks." [label info] www.industrial-records.com "That's Nik Void of Factory Floor once again joining the esteemed duo of Cosey Fanny Tutti and Chris Carter, proving that their first collaboration was not just a flippant one-off romp betwixt likeminded technicians; and hopefully, f(x) will be just one of many albums produced by this meeting of minds. As we experienced on the outstanding album of rebooted Chris & Cosey material, Carter Tutti has been exceptionally good as of late; and the insertion of Void into the mix changes that not one bit. If anything the pop quotient from the Carter Tutti productions has been distilled into faint melodies swimming amongst a chemical amalgam of hyper-processed / semi-aqueous sounds that are all suspended upon the girders of an almighty cybernetic whump generated with teethclenched tension. The rhythms begin and end with a chest-rattling pulse that is omnidirectionally nowhere and everywhere - the beat of an underground nightclub whose entrance cannot be found... the hollow-body vibrations from a multitude of car stereos straining at the urgency of those Gas albums from nearly 20 years ago... the chrome-plated precision of perfectly tuned machines purring at 126 bpm. Vocals and guitars from both Void and Cosey lock into place within these rhythms, albeit throughly processed, abstracted, haunted, and disembodied. The amount of details that pop into focus is startlingly dense for an album so overtly minimal, yet the trio effortlessly corral all of the component parts into one hell of a great electronic album." [Aquarius Rec.]