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Label & Cat.Number: Antifrost AFRO 2065
Release Year: 2014
Note: second part of a trilogy that explores the sounds of a certain geographical area, includes the first ever vocal track by the trio.."Mohammad descend further down into the bowels of darkness unleashing sonic monoliths and Promethean melodies and rhythms".... lim. 450
Price (incl. 19% VAT): €18.00
More Info"Lamnè Gastama is the second volume of a trilogy that explores the sounds of the geographical area between 34°N - 42°N & 19°E - 29°E.
In this second volume Mohammad descend further down into the bowels of darkness unleashing sonic monoliths and Promethean melodies and rhythms. Lamnè Gastama, a veritable tour de force including Hapsía the first ever vocal track by the trio so far featuring Sakis Tolis of Rotting Christ.
Segondè Saleco, the third volume and final catharsis is expected in spring 2015. Tirage limité de 450 copies." [label info]
"Of the two releases by Mohammad, 'Zo Rel Do' was already released in spring and 'Lamne Gastama' was just released; both of these are part of a trilogy that explores the geographical area between 34 and 42 degrees North and 19 and 29 E, which, if I'm not mistaken is roughly the area of the Mediterranean Sea. Mohammad is a trio of Nikos Veliotis (cello), Coti K. (contrabass) and Ilios (oscillators), and they describe their music as 'chamber doom, religious, extremely dark, harrowing, monolithic, born in heaven, sonic rape, electrocution', a lot of their music deals with low frequencies and dark textures, but I think there are some important differences between both releases. 'Zo Rel Do' seems to me less 'heavy' than the 'Lamne Gastama' one. On the latter the two stringed instruments are played 'con furioso', 'tres fort', like it is a vicious animal that need attacking. In 'Tik Tromakton' the oscillators from Ilios start out and it seems one of the rare occasions we hear him. Maybe, yet I might be entirely mistaken, but with many of the subtle low frequencies Ilios uses in his music, it might be better to witness this in concert at an appropriate volume, which may be lost at home (unless you want some domestic disturbance). The four pieces on 'Lamne Gastama' seemed to be more intense than the ones of 'Zo Rel Do', and evoke a feeling of oppression. Maybe even a very odd take on doom metal I was thinking. Having said all of that, I don't think 'Zo Rel Do' is a more lightweight record, but it certainly reflects a different life in that geographical area I think. The seven pieces here are a bit shorter than on the other one, and while 'Grabe' and 'Kabilar Mace' are quite forceful, 'Urso Nesto' seems to be entirely build of field recordings and 'Marik' reaches for a more contemplative mood, or even a sense of mourning in 'Samarina'. Both are excellent releases and with humble apologies to my neighbours for playing this at a considerable volume in the last few days." [FdW/Vital Weekly]
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