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KLEISTWAHR - This World is not my Home

Format: CD
Label & Cat.Number: Fourth Dimension Records FDCD91
Release Year: 2014
Note: the long going solo-project of GARY MUNDY (RAMLEH) with an epic one-tracker piece (38+ min.) in 7 parts, ranging from harmonic guitar distortion drones to overwhelming noise, with occasional vocals (both sung & spoken) and percussive elements, all very blurred & and drowned in heavy emotions & distortion... lim. 300 gatefold cover
Price (incl. 19% VAT): €13.00


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"The latest album from Gary Mundy (Ramleh), who has been using this moniker since the early 80s to further furrow the worlds of intense electronics, harrowing psychedelia and violent or claustrophobic atmospherics he is already known for. Less prolific than Ramleh, Kleistwahr began with several cassette releases on Garys own much revered Broken Flag imprint and has subsequently been afforded more releases by labels such as Noise War, Noiseville and Harbinger Sound. This World Is Not My Home collects seven pieces recorded between 2013 and 2014 of mostly instrumental sprawling guitar & electronic works. Released in an edition of 300 in a Broken Flag-type sleeve. Released in August 2014." [label info]

www.fourth-dimension.net



"Obviously because of its noise based content I could leave this to Jliat for closer inspection, but instead I played it, and meanwhile took out As Loud As Possible volume 1, an excellent book/magazine (Vital Weekly 756), which contained a very in-depth survey of the catalogue of Broken Flag, the mighty power electronics label from the 80s. The label's main band was Ramleh, a duo including Gary Mundy, also label boss, who, in order to fill up the early days of the catalogue, 'invented' a group called Kleistwahr, but which effectively was his own solo project. Over time that project disappeared, but in 2009 he returned with a LP for Noiseville, which I didn't hear, but according to that article was received with mixed reception. Now there is a new CD, a thirty-seven minute, of very loud, electronic music. Apparently Mundy uses guitar and electronics in Kleistwahr these days, which was hard to tell, I thought. Everything is cranked up to something very loud, but not without detail.
Kleistwahr is noise, yes, no doubts there, but it's not of the harsh noise wall variation. This obviously no longer has the shock it had so many years ago, and might even be called conservative to some extent. Who cares about something original these days? That must be something from the past. The music, while recorded and mastered better, has more power it seems than 'back then'. With Mundy adding vocals at the end of this, it sounds like Ramleh, and that happens to be one of my favourite power electronics from the 80s (before they picked up guitars, which, in my humble opinion, they shouldn't have done. Excellent release! The cover is a very nice CD version of the old label design. Maybe there could even be a series in this, re-issues, and new works? Where do we sign up?" [FdW/Vital Weekly]