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KSHATRIY - Kshatriy

Format: CD-R
Label & Cat.Number: Zhelezobeton ZHB-XL
Release Year: 2014
Note: re-issue of the very first KSHATRIY-album from 2005. remixed & re-mastered - massive cosmic drones and sonic winds coming in endless waves, moving towards the 'Strange Attractor'... lim. 77 copies professional cover & duplication
Price (incl. 19% VAT): €8.50


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"During the 10 years of its existence Kshatriy has earned a strong reputation on the Russian dark ambient scene. Among his works are 3 full-length CDs on our label Muzyka Voln, collaboration releases with Vresnit and Bardoseneticcube and also several tracks on compilations including the recently released LP "Drone-Mind // Mind-Drone Vol. 3" (Drone Records, 2014). This recording is the first finished studio material recorded by Sergey Uak-Kib in 2005. Initially it was released by the author himself as a small CD-R edition, all copies of which were quickly spread between friends and collectors. This year the album was taken out of the archives, remixed and remastered and we are pleased to introduce it to your attention in a renewed form. Cold, dark and empty cosmic-scale spaces turn into rare oases of living pulsations but this illusion of immersion in organic matter doesn't last long and dissolves in endless flows of sonic winds. The album features almost no melodic lines but its fractal-patterned structure gives the music the magical power that allows to keep the listener's attention captured throughout this short trip. The physical release is made on quality pro-CDRs in an edition of 77 copies in a sleeve of designer silvery cardboard." [label info]

http://zhb.radionoise.ru/



"On CDR we find music by Sergey Uak-Kib, better known as Kshatriy, who has released a whole bunch of releases before. This particular release is the first finished recording he ever did, in 2005, and of which he distributed a handful of copies to friends. We didn't review that one, but his later works found themselves into these pages. Now it's re-issued again, in an edition of 77 copies, and the four pieces span thirty-six minutes. The heavy transformation of any sound given, but most likely field recordings create Kshatriys music. I can easily see Sergey traveling the Siberian land and capturing some arctic wind into his microphone and melting these with field recordings of contact microphones scraping the permafrost. Did you say Thomas Kner? That's probably a valid point of reference, or indeed other in Isolationist one-man studios around the world, from say the mid 90s onto the present day. All atmospheric, all dark (how often do I use these words on a weekly basis, I wondered), but Kshatriy has it's own blend, certainly in these earliest recordings there is a nice raw edge to it. Not that smooth, but with a grittier, somewhat metallic undercurrent. Nice and rough." [FdW/Vital Weekly]