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Label & Cat.Number: Staubgold 129
Release Year: 2014
Note: first ever vinyl re-issue of the very rare & legendary collectors LP by this side-project of NEW BLOCKADERS - a milestone of mail-art & collage-noise, using source material from P16.D4, ORGANUM, NURSE WITH WOUND, ANDREW CHALK, H.N.A.S., ASMUS TIETCHENS, MERZBOW, HATERS, and many more... comes with two bonus tracks not on the original LP from a rare 7", lim. 400
Price (incl. 19% VAT): €16.00
More Info"Limitiertes Vinyl-Reissue des einzigen Albums der Industrial-Kultband.
Aufgenommen in den Jahren 1984 bis 1986 ist "The Impossible Humane" das einzige Album von Mixed Band Philanthropist, einem Nebenprojekt der The New Blockaders. Ursprünglich war die Platte 1987 auf dem deutschen Label Selektion erschienen und ist natürlich längst ein begehrtes Sammlerstück. Das Label Staubgold macht dieses Juwel aus Industrial und Musique concrete in einer Kleinauflage wieder erhältlich. Das Reissue enthält zwei Bonustracks, die der 7-Zoll-Single "The Man Who Mistook A Real Woman For His Muse And Acted Accordingly" entnommen wurden. Am Album war das Who’s who der damaligen Industrial-Szene beteiligt, u. a. Nurse With Wound, Organum, Andrew Chalk, The New Blockaders, Etant Donnes, H.N.A.S., P16.D4, Asmus Tietchens, Controlled Bleeding, Smegma und Merzbow. "A totally great listening experience", meinte das Magazin "The Wire". Die Vinyl-only-Produktion ist auf 400 Platten limitiert." [label info]
"Recorded from 1984 to 1986, "The Impossible Humane" is the sole album by The New Blockaders side project Mixed Band Philanthropist. Originally released on the German Selektion label in 1987 and impossible to find nowadays, Staubgold makes this rare gem of Industrial goes Musique Concrete available again in a strictly limited edition of 400 copies. Furthermore the reissue contains two bonus tracks taken from the 7" single "The Man Who Mistook A Real Woman For His Muse And Acted Accordingly".
The album is assembled of exclusive source material by the who's who of the Industrial music scene of the time, including contributions by Nurse With Wound, Organum, Andrew Chalk, The New Blockaders, Etant Donnes, H.N.A.S., P16.D4, Asmus Tietchens, Controlled Bleeding, Smegma, Merzbow and many more. "A classic chunk of destroyed musique concrete. Assembled from a variety of musical and spoken sources, this is a nonstop barrage of genius. Filled with headsnapping changes, sexual innuendo and general confusion, it's a totally great listening experience," said The Wire magazine.
Idwal Fisher wrote: "This car crash tape collage still stands today as one of the best examples of the genre. Its perpetual barrage of split-second samples are a dizzying mess of '60's Pop songs, scrapes, industrial whirr, uncategorizeable racket, ghostly voices, electronic beebles and burrs, sped-up records, tape whizz, machine rumble, snatches of Reggae, bucket damage, kazoo farts, Disco spots and about three-thousand or more (I'm guessing) other samples that really shouldn't work but, by some slight of hand or genius, actually do. On paper snatches of steel bands shouldn't be found on the same side of tape as Geordie MCs, Michael Jackson, pneumatic drills, early Merzbow and '50's Doo Wop but here they are and it works. Totally. Then comes the added bonus of being able to listen to this to the point of ad nauseam, mainly due to the fact that there are so few reference points that every listen brings something new." [label info]
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