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Label & Cat.Number: Attenuation Circuit ACE 1002
Release Year: 2013
Note: collab of German poet and sound artist MARTYN SCHMIDT with MYSTIFIED, => sound poetry drone muzak, dense & dark atmospheres..
Price (incl. 19% VAT): €8.00
More Info"ACE 1002: CD-R in folded cardboard sleeve
Many albums in the Attenuation Circuit Eco Series are split releases, but this hour-long composition is a true collaboration with 50 per cent input from both US-based drone artist Mystified and German poet and sound artist Martyn Schmidt. Starting with a poem, Schmidt’s voice morphs into pure vocal improvisation and breathing, both processed to amalgamate with Mystified’s acoustic drones. The result sounds at times like La Monte Young meeting Morton Feldman or like Norwegian experimental jazz singer Sidsel Endresen imitating deep bass strings with her voice.
Using feedback loops, the sound of whale bones played as percussion instruments on a Danish island, and jackhammers from local building sites, Schmidt „encoded, stored and retrieved“ (as the back cover says) lots of samples along with the music by Mystified he was reacting to - encoding, storing, retrieving being the three steps of memory as conceptualised by psychology. Connecting psychoacoustics back to his poetic roots, Schmidt also quotes (on the cover-artwork) the poem “Andenken” (Memory, or Remembrance) by Hölderlin. Memorising, forgetting, and recreating sounds and words turn out to be different sides of the artistic process, and the drone as a music that forever seems to dissolve and congeal, to ebb and flow, to move and stand still, seems a perfect sonic metaphor for this." [label info]
"A collaboration by Thomas Park's project Mystified and Martyn Schmidt, a German poet and sound artist. There is a short spoken word prologue, a sixty-two minute piece of music, and short epilogue. In the main piece, 'An Effort Of Memory', uses, according to the information, 'feedback loops, the sound of whale bones as percussion instruments on a Danish island and jackhammers from local building sites', of which Schmidt made the samples which he combined with the music of Mystified, resulting in this hour long sound collage of all things atmospheric. Forget the word jackhammers (or building site), as there is nothing 'industrial' or loud about this. The music here is all atmospheric, dark in the full moon night, and everything flows into each other. The music may seem an amorphous mass of sounds mixed together, without real beginning or end, and perhaps (I might be wrong) without much compositional planning. More like a go with the flow kind of music, which is nothing strange in this particular musical underworld. None of the sound sources are easily recognized here, if at all, but all is transformed into a long, sustaining mass of atmospherics, and works very well. A cold day today, autumn has arrived it seems and this is the soundtrack for such seasonal weather. Nothing new, but it works very well." [FdW/Vital Weekly]
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