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Label & Cat.Number: Observatoire obs 027
Release Year: 2011
Note: three very long deep-drone tracks (all over 20 minutes) on this Russian / US-American / Italian triple drone album, on a abel from Rostov-on-Don; lim. 400, recommended !
Price (incl. 19% VAT): €13.00
More Info"Three drone-centric artists from three different parts of the world... Five Elements Music is a Russian isolationist / ambient project spawned by one of the members of the similarly minded Exit In Grey; Andrea Marutti is an Italian dark ambient practitioner with a number of occultish recordings under the moniker Amon; and Jim Haynes is a Bay Area artist who "rusts things" and also happens to work here at aQuarius. Both Marutti's and Haynes' compositions are responses to the piece made by Five Elements Music. A massive tectonic rumble emerges from the onset of the Russian track, as if the resonant echo from a meteor striking the heart of Siberia were captured through the felling of a million trees. Out of these frequencies, Five Elements Music evolves this sound into a growling dissonance more dialed into those rasping drones that Oren Ambarchi or Birchville Cat Motel might broadcast from time to time. Over the 23 minutes, this track becomes steadily more placid and inviting, eschewing the desolate horror at the beginning for something beautifully introspective. Marutti builds from the bleak horror where Five Elements Music began, producing cavernous hues of black and grey on amorphous clouds of mist and fog. Marutti's work parallels those blackened static movements of Yen Pox and Inade. For Haynes' part, the theatrical cloak and dagger of Thomas Koner's isolationism comes to mind in his response to the Five Elements Music track, albeit constructed from his distressed textures and fluttering shortwave radio manipulation. Easily the most dynamic piece of this triptych, Haynes deftly transitions pools of nocturnal drones into snarling crescendos of volatile motors, turbines, and Kevin Drumm-esque guitar dissonance which morph into an evocative movement of super-slow-motion heartbeat rhythm and radio frequencies detuned into sweeping, ghostly sinewaves, captured from within one of those WWII era bunkers that dot the California coast. Haynes presented a version of this at the San Francisco Museum of Modern Art in a collaborative, expanded cinema piece involving a massive diorama, lots of old scientific gear, a couple of surveillance cameras, and a toy train. Alas, there's little video documentation of that performance, but the audio here works amazingly well on its own." [label info]
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