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Label & Cat.Number: Sonoris sns-06
Release Year: 2009
Note: advanced obscured concrete-ambience, lovely unexpected & challenging, hard to compare to anything else
Price (incl. 19% VAT): €12.00
More InfoMit diesem Album erweitert der amerikanische Composer das bisher von ihm Gewohnte auf kurioseste Weise! Diverse Objektgeräusche und subtiler Einsatz von Stimmen und Gesängen, so obskur wie nur selten zuvor vernommen, field recordings & kaum Erkennbares, wohl auch elektronisch bearbeitet, vieles bleibt im dunkeln und macht FLOCK & TUMBLE umso geheimnisvoller und wunderbarer, von der Wirkung ungefähr so wie BIOTA, vom "Feeling" hat es was von THUJA, TIP für Leute die was wirklich Neutönendes suchen !
"Seth Nehil is an American artist involved in various projects ranging from compositions for dance, installations, multimedia performances, publications and visual art. Over the years, he has collaborated with other significant sound researchers (John Grzinich, Olivia Block, Michael Northam, Matt Marble and Brendan Murray) and has released many CDs on international labels such as Kaon, Alluvial and ...Edition.
It's not so easy to describe the music of Seth Nehil: like a compound of several substances, obtained by capturing natural and urban sounds, manipulated instruments, as well as by electronic treatments and textured objects.
Flock & Tumble is another fine example of his new direction : shorter tracks with an almost song-like structure and a large sound palette that includes the human voice as material. Flock & Tumble explores haphazard clusters, abrupt shifts, percussive rattles and gentle clouds." [label info]
"Throughout the years we have reviewed much of the work of Seth Nehil, who belongs with people like JGrzinich and MNortham to the main players of the US drone scene, which finds itself largely based in field recordings, but also acoustic instruments and just a little bit of electronics. All of this is collected and played and then put together into pieces of music. Music that is not easy to describe as it simply defies categorization, which is always good (and difficult for such reviewers like me, who like to use them). Partly we could say the music is improvised on the side of the instruments, percussive mainly. Then afterwards, or perhaps before hand, field recordings are put to it, something set in a loop, although not always 'on', and sometimes dropping out of the mix, in order to return later. If a word applies to this music, then 'organic' would, I think, be appropriate. Organic in the way the material is put together: from various sources, but it seems to fit together like it always was. Organic also in the sense of playing the instruments and the use of field recordings. This leads to some pretty strong pieces of music, in which we also recognize someone like Af Ursin or Yannick Dauby. Dense and delicate." [FdW / Vital Weekly]
"An important demonstration of Nehil’s abilities, this is a classic sleeper which deserves immediate exposure, well beyond the small circle of experts to which music like this is usually addressed." [Touching Extremes]
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