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NEHIL, SETH & MATT MARBLE - Ecllipses

Format: CD
Label & Cat.Number: and/OAR and/30
Release Year: 2008
Price (incl. 19% VAT): €12.00


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Mysterise Geruschmusik pur! Tolle Zusammenarbeit der beiden Herausgeber des exzellenten FO A RM - Magazins. Materialien und Objekte werden so bearbeitet, das lebendige fliessend-konkrete Klnge entstehen, deren Herkunft man nur erahnen kann. Alles ist in stndiger Bewegung, die Stcke nehmen z.T. dramatische, dronige Formen an, um dann wieder in Mikrosound-artige Fragmentsounds zu fallen, mal klingt es nach schwingenden selbst-gebauten Instrumenten, dann nach rauschenden field recordings... geniales Zeug zum genauen Zuhren & Sich-Versenken !

"First collaboration release between two American 'sound composters', Seth Nehil and Matt Marble. A dynamic whirlwind tour through states of ellipsis and eclipses, abrupt ruptures, reuniting and igniting. Where nothing is static for too long. Through an invigorating admixture of instruments, field recordings and various found matter, a compelling and mysterious world comes alive to spark the imagination." [label notes]

"Naturalist aktionism? Sure, let's call it that. We can't really
say that the Hermann Nitsch and Gunter Brus bloodletting as grand
allegory is applicable to this collaboration between Portland based
sound artists Seth Nehil and Matt Marble; but a rigorous body of work
is definitely at hand. These two are the editors of the sound art
journal FO A RM, and have both generated impressive bodies of
conceptually minded compositions through field recordings, found
objects, the almighty drone, and hand-built instruments. Here, Nehil
and Marble wax poetic about the overlay of tactile sounds to emphasize the ruptures, holes, and negative spaces which may have been present on each layer of sound. So, instead of a gaping piece of unbroken ambience, Ecllipses is a tense and discordant album of rollicking textures which bristle and scrape against each other. Nehil and Marble revel in tumbles and scrabbles of what could be a revolving metal drum filled with various pine cones, twigs, and pebbles. Elsewhere, they focus upon churning bowed steel-strings, which offer buzzing clouds of softly rendered acoustic noise; and then soft pluckings of what sound like softened dulcimers drift into prolonged echo, hinting at avant- folk drones of Jewelled Antler (especially the Ov recordings) and Kemialliset Ystavat. Barring a minimal amount of signal processing and ring modulation, the album flourishes in the sodden palette of natural objects: wood, grass, leaves, soil, and rock."" [Aquarius Records review]


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